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| | | | SILVANA EDITORIALEPieter Bruegel the Elder: Fall of the Rebel AngelsBy Tine L. Meganck. Preface by Michel Draguet, Marc Boone.
 Pieter Bruegel the Elder: Fall of the Rebel Angels is the first comprehensive book on one of the most cherished Renaissance masterpieces in the collection of the Royal Museums of Fine Arts of Belgium. Bruegel's dizzingly complex "Fall of the Rebel Angels" (1562) is presented in this lavishly illustrated volume in microscopic detail, and placed in its wider context in the texts, which argue that, with this painting, Bruegel turned a traditional devotional theme into an innovative commentary on his own time. Many of the angels in Bruegel's scene are hybrids of natural and artificial forms, just as the curiosity cabinets of the time would juxtapose "naturalia" and "artificialia" for the connoisseur, connecting the painting to early modern European cultures of knowledge and collecting.
Pieter Bruegel, "Fall of the Rebel Angels", is reproduced from Pieter Bruegel The Elder: Fall of the Rebel Angels. |
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| | | |  | SILVANA EDITORIALEISBN: 9788836629640
USD $45.00 | CAN $60Pub Date: 6/23/2015
Active | In stock
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FORMAT: Hbk, 6.5 x 9.5 in. / 208 pgs / 140 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $60
ISBN: 9788836629640
PUBLISHER: Silvana Editoriale
AVAILABLE: 6/23/2015
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2015 Page 154 | PRESS INQUIRIES
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| Pieter Bruegel the Elder: Fall of the Rebel Angels Published by Silvana Editoriale.
By Tine L. Meganck. Preface by Michel Draguet, Marc Boone. Pieter Bruegel the Elder: Fall of the Rebel Angels is the first comprehensive book on one of the most cherished Renaissance masterpieces in the collection of the Royal Museums of Fine Arts of Belgium. Bruegel's dizzingly complex "Fall of the Rebel Angels" (1562) is presented in this lavishly illustrated volume in microscopic detail, and placed in its wider context in the texts, which argue that, with this painting, Bruegel turned a traditional devotional theme into an innovative commentary on his own time. Many of the angels in Bruegel's scene are hybrids of natural and artificial forms, just as the curiosity cabinets of the time would juxtapose "naturalia" and "artificialia" for the connoisseur, connecting the painting to early modern European cultures of knowledge and collecting.
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