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MUSEU DE ARTE DE SãO PAULO
Hélio Oiticica: Dance in My Experience
Edited with text by Adriano Pedrosa, Tomás Toledo. Text by Adrian Anagnost, Cristina Ricupero, Evan Moffitt, Fernanda Lopes, Fernando Cocchiarale, Sergio Delgado Moya, Tania Rivera, Vivian A. Crockett, Hélio Oiticica.
How Hélio Oiticica led Brazilian art's transition from abstract art to performable sculpture
One of the most radical and joyful artists of the 20th century, Hélio Oiticica (1937-80) helped lead the charge in Brazilian art’s unique transition from abstract concrete art to performative objects and collective performance.
As MoMA’s 2019 exhibition Sur Moderno demonstrated, one of Oiticica’s most revolutionary projects was the Parangolé, wearable sculptures made from fabric, plastic or paper. The Parangolé is meant to be worn, inhabited and danced by a participant, lending a physical spontaneity to the piece that entirely blurs the boundaries between the art object and those who experience it.
Dance in My Experience traces the genealogy of this theme within the artist’s oeuvre, identifying rhythmic, choreographic and dance elements throughout his trajectory, from his first Metaesquemas through the Spatial Reliefs, Nuclei and Bólides, culminating in the Parangolés. It includes texts by Oiticica and contributions by numerous scholars.
Featured spread is from 'Hélio Oiticica: Dance in My Experience.'
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FORMAT: Hbk, 8 x 10.75 in. / 328 pgs / 295 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $84 GBP £53.00 ISBN: 9788531000850 PUBLISHER: Museu de Arte de São Paulo AVAILABLE: 10/27/2020 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD Except Brazil
How Hélio Oiticica led Brazilian art's transition from abstract art to performable sculpture
Published by Museu de Arte de São Paulo. Edited with text by Adriano Pedrosa, Tomás Toledo. Text by Adrian Anagnost, Cristina Ricupero, Evan Moffitt, Fernanda Lopes, Fernando Cocchiarale, Sergio Delgado Moya, Tania Rivera, Vivian A. Crockett, Hélio Oiticica.
One of the most radical and joyful artists of the 20th century, Hélio Oiticica (1937-80) helped lead the charge in Brazilian art’s unique transition from abstract concrete art to performative objects and collective performance.
As MoMA’s 2019 exhibition Sur Moderno demonstrated, one of Oiticica’s most revolutionary projects was the Parangolé, wearable sculptures made from fabric, plastic or paper. The Parangolé is meant to be worn, inhabited and danced by a participant, lending a physical spontaneity to the piece that entirely blurs the boundaries between the art object and those who experience it.
Dance in My Experience traces the genealogy of this theme within the artist’s oeuvre, identifying rhythmic, choreographic and dance elements throughout his trajectory, from his first Metaesquemas through the Spatial Reliefs, Nuclei and Bólides, culminating in the Parangolés. It includes texts by Oiticica and contributions by numerous scholars.
