| | BOOK FORMAT
Flexi, 6 x 8.5 in. / 408 pgs / 175 bw. PUBLISHING STATUS
Pub Date 2/24/2026
Forthcoming DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2019 p. 31 PRODUCT DETAILS
ISBN 9783960984030 FLAT40
List Price: $25.00 CAD $34.50 AVAILABILITY
Awaiting stock | TERRITORY
NA LA ASIA AU/NZ AFR | EXHIBITION SCHEDULEMexico City, Mexico
Museo Jumex, 06/04/18–09/30/18 | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Franz Erhard Walther: Objects, to Use, Instruments for ProcessesForeword by Eugenio López Alonso. Text by Peter Weibel, Christian Rattemeyer, Julieta González, Bazon Brock, Yve-Alain Bois, Georg Jappe, Paul Weimber, Jean Leering.
Published on the occasion of a Fundación Jumex exhibition, this Franz Erhard Walther sourcebook compiles texts that are key to interpreting Walther’s objects and to assessing the cultural impact of an artist who, in the 1960s and '70s, assiduously avoided joining any group or art movement.
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|  | STATUS: Forthcoming | 2/24/2026 This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com | |
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FORMAT: Flexi, 6 x 8.5 in. / 408 pgs / 175 b&w.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $34.5
ISBN: 9783960984030
PUBLISHER: Walther König, Köln
AVAILABLE: 2/24/2026
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Forthcoming
AVAILABILITY: Awaiting stock
TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: SPRING 2019 Page 31 | PRESS INQUIRIES
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| Franz Erhard Walther: Objects, to Use, Instruments for Processes Published by Walther König, Köln.
Foreword by Eugenio López Alonso. Text by Peter Weibel, Christian Rattemeyer, Julieta González, Bazon Brock, Yve-Alain Bois, Georg Jappe, Paul Weimber, Jean Leering. Published on the occasion of a Fundación Jumex exhibition, this Franz Erhard Walther sourcebook compiles texts that are key to interpreting Walther’s objects and to assessing the cultural impact of an artist who, in the 1960s and '70s, assiduously avoided joining any group or art movement.
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