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| | | | William Kentridge: Triumphs and LamentsEdited with an introduction by Carlos Basualdo. Foreword by Federica Galloni. Text by Gabriele Guercio, Salvatore Settis.
Triumphs and Laments is not only a celebration of William Kentridge’s (born 1955) monumental frieze drawn along the banks of the Tiber River in Rome and the performance which inaugurated it, but a gorgeously produced guide to one of his most memorable and ambitious projects.
Designed with the early Baedekers in mind, this bilingual book acts as an essential component to viewing Kentridge’s erased-graffiti figures and understanding the process of their creation, with useful gatefolds, a poster and a leporello of the frieze to accompany the texts. These include a conversation between Carlos Basualdo and the artist and two essays, by Salvatore Settis and Gabriele Guercio, which explore the meaning behind the work and its resonance with the millennia-long history of the city of Rome.
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FORMAT: Hbk, 5.75 x 8 in. / 300 pgs / 144 color / 48 b&w.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
ISBN: 9783960980223
PUBLISHER: Walther König, Köln
AVAILABLE: 5/23/2017
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: MID SUMMER 2017 | PRESS INQUIRIES
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| William Kentridge: Triumphs and Laments Published by Walther König, Köln.
Edited with an introduction by Carlos Basualdo. Foreword by Federica Galloni. Text by Gabriele Guercio, Salvatore Settis. Triumphs and Laments is not only a celebration of William Kentridge’s (born 1955) monumental frieze drawn along the banks of the Tiber River in Rome and the performance which inaugurated it, but a gorgeously produced guide to one of his most memorable and ambitious projects.
Designed with the early Baedekers in mind, this bilingual book acts as an essential component to viewing Kentridge’s erased-graffiti figures and understanding the process of their creation, with useful gatefolds, a poster and a leporello of the frieze to accompany the texts. These include a conversation between Carlos Basualdo and the artist and two essays, by Salvatore Settis and Gabriele Guercio, which explore the meaning behind the work and its resonance with the millennia-long history of the city of Rome.
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