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| | | | Sarah Morris: CAPITAL Letters Rear Better for InitialsText by Frédéric Paul.
The graphic, diagrammatic paintings of New York–based painter and filmmaker Sarah Morris (born 1967) play with notions of social space and identity through rigorous abstraction. This publication explores themes such as power, geometry and manipulation in both her paintings and films.
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| | | |  | MODERNE KUNST NüRNBERGISBN: 9783869840543
USD $30.00 | CAN $40Pub Date: 4/30/2012
Active | In stock
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|  | WALTHER KöNIG, KöLNISBN: 9783865606464
USD $61.00 | CAN $82.5Pub Date: 2/28/2010
Active | Out of stock
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FORMAT: Pbk, 5 x 7 in. / 174 pgs / 33 color.
LIST PRICE: U.S. $20.00
LIST PRICE: CANADA $27.95
ISBN: 9783941360464
PUBLISHER: August Verlag
AVAILABLE: 6/14/2016
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: FALL 2016 Page 154 | PRESS INQUIRIES
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| Sarah Morris: CAPITAL Letters Rear Better for Initials Published by August Verlag.
Text by Frédéric Paul. The graphic, diagrammatic paintings of New York–based painter and filmmaker Sarah Morris (born 1967) play with notions of social space and identity through rigorous abstraction. This publication explores themes such as power, geometry and manipulation in both her paintings and films.
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