| | BOOK FORMAT
Paperback, 6.75 x 9.5 in. / 176 pgs / 80 color. PUBLISHING STATUS
Pub Date 3/1/2008
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2008 p. 117 PRODUCT DETAILS
ISBN 9783905829068 TRADE
List Price: $32.00 CAD $42.50 AVAILABILITY
Not available | TERRITORY
WORLD Excl FR DE AU CH | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Half Square Half CrazyEdited by Éric Mangion. Text by Lili Reynaud Dewar, Elisabeth Wetterwald, Vincent Pécoil.
This provocative publication explores the reexamination and the redeployment of forms and devices drawn from Minimal art by numerous contemporary artists. Taking into account their present adoption by the culture and design industries, the featured artists update the inherent contradiction of the neo-avant-gardes of the 1960s--between their aspiration for the autonomy of art and the heteronomy of the means to achieve this. Looking back on the aporias of such historical heritage, the practices discussed here start afresh, initiate a new game, which privileges accident rather than essence, "nonformalism" rather than formal resolution, and disfunctionality rather than efficient rationality.
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FORMAT: Paperback, 6.75 x 9.5 in. / 176 pgs / 80 color.
LIST PRICE: U.S. $32.00
LIST PRICE: CANADA $42.5
ISBN: 9783905829068
PUBLISHER: JRP|Ringier
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD Excl FR DE AU CH | D.A.P. CATALOG: SPRING 2008 Page 117 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Half Square Half Crazy Published by JRP|Ringier.
Edited by Éric Mangion. Text by Lili Reynaud Dewar, Elisabeth Wetterwald, Vincent Pécoil. This provocative publication explores the reexamination and the redeployment of forms and devices drawn from Minimal art by numerous contemporary artists. Taking into account their present adoption by the culture and design industries, the featured artists update the inherent contradiction of the neo-avant-gardes of the 1960s--between their aspiration for the autonomy of art and the heteronomy of the means to achieve this. Looking back on the aporias of such historical heritage, the practices discussed here start afresh, initiate a new game, which privileges accident rather than essence, "nonformalism" rather than formal resolution, and disfunctionality rather than efficient rationality.
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