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| | BOOK FORMAT Slip, clth, 3 vols, 9.5 x 12.5 in. / 568 pgs / illustrated throughout. PUBLISHING STATUS Pub Date 10/31/2012 Active DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2014 PRODUCT DETAILS ISBN 9783869304939 TRADE List Price: $175.00 CDN $235.00 AVAILABILITY In stock | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Nancy Rubins: Work
This three-volume publication is a visual journey through 40 years of Nancy Rubins' sculptures and drawings. The first two volumes begin with Rubins' student work, where her themes, methods and ambitions emerge. The first volume moves through numerous large-scale sculptures incorporating massive quantities of used electric appliances with concrete and rebar, then on to trailers, hot water heaters, mattresses, airplane parts and small boats held in suspended tension by webs of cables. The second volume explores Rubins' often gigantic and sculptural drawings, densely covered with graphite pencil marks that embody the intense and abundant energy of their making. A final booklet with a series of playful and candid self-portrait photographs taken at the Baltimore train station photo booth in 1972–4 completes Work.
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FORMAT: Slip, clth, 3 vols, 9.5 x 12.5 in. / 568 pgs / illustrated throughout. LIST PRICE: U.S. $175.00 LIST PRICE: CANADA $235 ISBN: 9783869304939 PUBLISHER: Steidl AVAILABLE: 10/31/2012 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2014 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Nancy Rubins: Work Published by Steidl. | This three-volume publication is a visual journey through 40 years of Nancy Rubins' sculptures and drawings. The first two volumes begin with Rubins' student work, where her themes, methods and ambitions emerge. The first volume moves through numerous large-scale sculptures incorporating massive quantities of used electric appliances with concrete and rebar, then on to trailers, hot water heaters, mattresses, airplane parts and small boats held in suspended tension by webs of cables. The second volume explores Rubins' often gigantic and sculptural drawings, densely covered with graphite pencil marks that embody the intense and abundant energy of their making. A final booklet with a series of playful and candid self-portrait photographs taken at the Baltimore train station photo booth in 1972–4 completes Work.
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