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| | | | Nancy Rubins: Work
This three-volume publication is a visual journey through 40 years of Nancy Rubins' sculptures and drawings. The first two volumes begin with Rubins' student work, where her themes, methods and ambitions emerge. The first volume moves through numerous large-scale sculptures incorporating massive quantities of used electric appliances with concrete and rebar, then on to trailers, hot water heaters, mattresses, airplane parts and small boats held in suspended tension by webs of cables. The second volume explores Rubins' often gigantic and sculptural drawings, densely covered with graphite pencil marks that embody the intense and abundant energy of their making. A final booklet with a series of playful and candid self-portrait photographs taken at the Baltimore train station photo booth in 1972–4 completes Work.
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FORMAT: Slip, clth, 3 vols, 9.5 x 12.5 in. / 568 pgs / illustrated throughout.
LIST PRICE: U.S. $175.00
LIST PRICE: CANADA $235
ISBN: 9783869304939
PUBLISHER: Steidl
AVAILABLE: 10/31/2012
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2014 | PRESS INQUIRIES
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Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com |
| Nancy Rubins: Work Published by Steidl. This three-volume publication is a visual journey through 40 years of Nancy Rubins' sculptures and drawings. The first two volumes begin with Rubins' student work, where her themes, methods and ambitions emerge. The first volume moves through numerous large-scale sculptures incorporating massive quantities of used electric appliances with concrete and rebar, then on to trailers, hot water heaters, mattresses, airplane parts and small boats held in suspended tension by webs of cables. The second volume explores Rubins' often gigantic and sculptural drawings, densely covered with graphite pencil marks that embody the intense and abundant energy of their making. A final booklet with a series of playful and candid self-portrait photographs taken at the Baltimore train station photo booth in 1972–4 completes Work.
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