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| | BOOK FORMAT
Clth, 11.5 x 13 in. / 168 pgs / illustrated throughout. PUBLISHING STATUS
Pub Date 10/1/2010
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2014 PRODUCT DETAILS
ISBN 9783869301280 TRADE
List Price: $50.00 CDN $67.50 AVAILABILITY
Not available | TERRITORY
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| | | David Bailey: Flowers, Skulls, Contacts
This book combines David Bailey's recent color photographs of still-life flowers and skulls with black-and-white contacts of his iconic celebrity portraiture and fashion work from the 1960s. One might analyze Bailey's combination of these bodies of work in light of the vanitas tradition, seeing it as a commentary on mortality and the passing of time. Indeed such a reading is tempting when comparing images of wilting roses with contacts of Brian Jones and John Lennon, both of whom appear confident in the prime of youth, unaware of the fates that will befall them. But perhaps this is too much, and Bailey himself would probably tell you so. For him, the flowers, skulls and contacts are simply different projects that he was working on simultaneously and decided to combine because he likes the idea of eclectic collections. Enough said.
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FORMAT: Clth, 11.5 x 13 in. / 168 pgs / illustrated throughout.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $67.5
ISBN: 9783869301280
PUBLISHER: Steidl
AVAILABLE: 10/1/2010
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2014 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com |
| David Bailey: Flowers, Skulls, Contacts Published by Steidl. This book combines David Bailey's recent color photographs of still-life flowers and skulls with black-and-white contacts of his iconic celebrity portraiture and fashion work from the 1960s. One might analyze Bailey's combination of these bodies of work in light of the vanitas tradition, seeing it as a commentary on mortality and the passing of time. Indeed such a reading is tempting when comparing images of wilting roses with contacts of Brian Jones and John Lennon, both of whom appear confident in the prime of youth, unaware of the fates that will befall them. But perhaps this is too much, and Bailey himself would probably tell you so. For him, the flowers, skulls and contacts are simply different projects that he was working on simultaneously and decided to combine because he likes the idea of eclectic collections. Enough said.
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