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Kunsthaus BregenzBOOK FORMAT
Clth, 8.75 x 11.75 in. / 176 pgs / 80 color. PUBLISHING STATUS
Pub Date 9/30/2011
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Catalog: FALL 2011 p. 87 PRODUCT DETAILS
ISBN 9783865608901 TRADE
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| | | KUNSTHAUS BREGENZAntony Gormley: Horizon FieldText by Martin Seel, Beat Wyss.
Since the 1980s, when the English sculptor Antony Gormley (born 1950) first began casting figures from his own body in lead and iron, his principal concern has been opening up new artistic and social venues for the display of his work. In realizing his latest work, “Horizon Field,” in Austria, the artist has installed 100 figures at an elevation of nearly 7,000 feet; the figures face every direction but never towards one another. The mountain landscape, with its beguiling mix of natural beauty, urbanity and the sociality of old valley communities, provides an ideal experimental field for Gormley's investigations into the relationship between nature and culture. Of this project, the artist said: “It asks basic questions: who are we, what are we, where do we come from and to where are we headed?” Photographs of the landscape installation are contextualized with images of the artist's previous works.
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USD $60.00 | CAN $85Pub Date: 12/17/2019
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|  | Edited by Rosalind Horne, Sophie Leimgruber, Paul Dürnberger. Text by Max Hollein. Conversation by Norman Rosenthal.GALERIE THADDAEUS ROPACISBN: 9783901935596
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FORMAT: Clth, 8.75 x 11.75 in. / 176 pgs / 80 color.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $75
ISBN: 9783865608901
PUBLISHER: Kunsthaus Bregenz
AVAILABLE: 9/30/2011
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| Antony Gormley: Horizon Field Published by Kunsthaus Bregenz.
Text by Martin Seel, Beat Wyss. | Since the 1980s, when the English sculptor Antony Gormley (born 1950) first began casting figures from his own body in lead and iron, his principal concern has been opening up new artistic and social venues for the display of his work. In realizing his latest work, “Horizon Field,” in Austria, the artist has installed 100 figures at an elevation of nearly 7,000 feet; the figures face every direction but never towards one another. The mountain landscape, with its beguiling mix of natural beauty, urbanity and the sociality of old valley communities, provides an ideal experimental field for Gormley's investigations into the relationship between nature and culture. Of this project, the artist said: “It asks basic questions: who are we, what are we, where do we come from and to where are we headed?” Photographs of the landscape installation are contextualized with images of the artist's previous works.
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