Nam June Paik: Exposition of Music, Electronic Television, Revisited
Foreword by Edelbert Koeb. Introduction by Susanne Neuburger. Text by Manuela Ammer, Justin Hoffmann, Manfred Montwé.
In 1963, Nam June Paik created a new genre of exhibition with his first solo show, The Exposition of Electronic Music-Electronic Television at Galerie Parnass in Wuppertal, West Germany. Fresh from his studies with John Cage and Karlheinz Stockhausen, and already a Fluxus veteran, Paik created a disorienting environment that foreshadowed much of what was to come in the 1960s: visitors, greeted at the entrance by a freshly slaughtered ox head, were not only confronted with the newness of the electronic image in Paik's TV monitors, but also found themselves integrated into a Dadaistic installation that included prepared pianos, mechanical sound objects, record players and audio tape installations. Exposition reconstructs this landmark show.
FORMAT: Pbk, 7 x 9.75 in. / 244 pgs / 82 color / 168 b&w. LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $53.95 ISBN: 9783865606198 PUBLISHER: Walther König, Köln AVAILABLE: 8/31/2009 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA LA ASIA AFR
Nam June Paik: Exposition of Music, Electronic Television, Revisited
Published by Walther König, Köln. Foreword by Edelbert Koeb. Introduction by Susanne Neuburger. Text by Manuela Ammer, Justin Hoffmann, Manfred Montwé.
In 1963, Nam June Paik created a new genre of exhibition with his first solo show, The Exposition of Electronic Music-Electronic Television at Galerie Parnass in Wuppertal, West Germany. Fresh from his studies with John Cage and Karlheinz Stockhausen, and already a Fluxus veteran, Paik created a disorienting environment that foreshadowed much of what was to come in the 1960s: visitors, greeted at the entrance by a freshly slaughtered ox head, were not only confronted with the newness of the electronic image in Paik's TV monitors, but also found themselves integrated into a Dadaistic installation that included prepared pianos, mechanical sound objects, record players and audio tape installations. Exposition reconstructs this landmark show.
