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| | | | Richard Prince: America Goes to War, Swimming in the Afternoon
One of the most innovative and influential artists of our time, Richard Prince can be variously described as a painter, photographer, sculptor and collector. His work makes use of an eclectic range of approaches to explore his fascination with Americana, pop culture, art, literature and language. This volume, published to accompany his 2008 exhibition at London's Serpentine Gallery, is envisioned as a continuation of Prince's major 2007 retrospective at the Solomon R. Guggenheim Museum in New York--albeit in a smaller and more personal setting. Prince leads the book off with an essay that was first published in Art in America in 1988. Entitled "Bringing It All Back Home," this text serves as the introduction for what is essentially an autonomous artist's book filled with photographs of his works and installations. An end section on different paper features additional texts and a list of exhibitions.
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FORMAT: Pbk, 8.75 x 10.25 in. / 128 pgs / 113 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9783865604934
PUBLISHER: Walther König, Köln
AVAILABLE: 3/1/2009
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2009 Page 72 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| Richard Prince: America Goes to War, Swimming in the Afternoon Published by Walther König, Köln. One of the most innovative and influential artists of our time, Richard Prince can be variously described as a painter, photographer, sculptor and collector. His work makes use of an eclectic range of approaches to explore his fascination with Americana, pop culture, art, literature and language. This volume, published to accompany his 2008 exhibition at London's Serpentine Gallery, is envisioned as a continuation of Prince's major 2007 retrospective at the Solomon R. Guggenheim Museum in New York--albeit in a smaller and more personal setting. Prince leads the book off with an essay that was first published in Art in America in 1988. Entitled "Bringing It All Back Home," this text serves as the introduction for what is essentially an autonomous artist's book filled with photographs of his works and installations. An end section on different paper features additional texts and a list of exhibitions.
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