The official anthem of the European Union, heard at numerous political, cultural and public sporting events, is the “Ode to Joy” melody from the last movement of Beethoven's Ninth Symphony, "a true 'empty signifier' that can stand for anything," begins noted theorist Slavoj Zizek in his essay for this well-designed artist's book in which the American and Cuban Conceptual artist collaborators Jennifer Allora and Guillermo Calzadilla present their reflections on this ubiquitous masterwork. Modified classical instruments, scribbled musical notations, Nazi concerts, historical Turkish musical groups, the pope, Communist propaganda and other archival images are used to great effect.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Hbk, 8 x 10 in. / 80 pgs / 22 color / 27 b&w. LIST PRICE: U.S. $49.95 LIST PRICE: CANADA $67.5 ISBN: 9783865604743 PUBLISHER: Walther König, Köln AVAILABLE: 3/1/2009 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ASIA AU/NZ AFR
Allora & Calzadilla: Stop, Repair, Prepare Variations on Ode to Joy for a Prepared Piano
Published by Walther König, Köln. Edited by Julienne Lorz. Text by Slavoj Zizek.
The official anthem of the European Union, heard at numerous political, cultural and public sporting events, is the “Ode to Joy” melody from the last movement of Beethoven's Ninth Symphony, "a true 'empty signifier' that can stand for anything," begins noted theorist Slavoj Zizek in his essay for this well-designed artist's book in which the American and Cuban Conceptual artist collaborators Jennifer Allora and Guillermo Calzadilla present their reflections on this ubiquitous masterwork. Modified classical instruments, scribbled musical notations, Nazi concerts, historical Turkish musical groups, the pope, Communist propaganda and other archival images are used to great effect.
