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| |   |   | Omer Fast: The CastingText by Matthias Michalka.
Omer Fast's video installation The Casting is based on interviews held with a U.S. Army sergeant before his renewed deployment in Iraq. Fast describes the project thus: "During several days he told me two stories which I have interwoven. The first took place in Bavaria and describes the sergeant's relationship with a German girl who loves speed and self-mutilation. The second story takes place outside Baghdad and deals with a bomb on the roadside and a tragic mistake." Fast took these two stories and processed them into a screenplay, which he then had interpreted by actors as a series of silent tableaux. This succinct volume documents these tableaux with numerous color photographs and includes a conversation between the artist and Sven Lütticken, as well as a text by Matthias Michalka.
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| |  | WALTHER KöNIG, KöLNISBN: 9783865604033 USD $35.00 | CAN $47.5Pub Date: 7/1/2008 Active | Out of stock
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FORMAT: Paperback, 5.5 x 7.5 in. / 164 pgs / 110 color / 2 b&w. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $47.5 ISBN: 9783865604033 PUBLISHER: Walther König, Köln AVAILABLE: 7/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: FALL 2008 Page 131 | PRESS INQUIRIES
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| Omer Fast: The Casting Published by Walther König, Köln. Text by Matthias Michalka. Omer Fast's video installation The Casting is based on interviews held with a U.S. Army sergeant before his renewed deployment in Iraq. Fast describes the project thus: "During several days he told me two stories which I have interwoven. The first took place in Bavaria and describes the sergeant's relationship with a German girl who loves speed and self-mutilation. The second story takes place outside Baghdad and deals with a bomb on the roadside and a tragic mistake." Fast took these two stories and processed them into a screenplay, which he then had interpreted by actors as a series of silent tableaux. This succinct volume documents these tableaux with numerous color photographs and includes a conversation between the artist and Sven Lütticken, as well as a text by Matthias Michalka.
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