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Clth, 11.75 x 10.75 in. / 144 pgs / 64 color. PUBLISHING STATUS
Pub Date 10/31/2009
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| | | Mitch Epstein: American PowerText by Mitch Epstein.
Mitch Epstein's latest project tackles one of the most loaded issues on the nation's agenda: what and who powers America? Between 2003 and 2008, prompted by the evacuation of an environmentally contaminated Ohio town, Epstein traveled the United States to document the country's energy "hot spots," where fossil fuel, nuclear, hydroelectric, wind and solar power are produced, encountering further contaminations, Homeland Security obstacles, corporate invincibility and the occasional token of hope. In a post-Katrina and post-Patriot Act America, the angle of engagement permitted Epstein often varied, so that many of the power plants and refineries were shot from an enforced distance ("If you were Muslim, you'd be cuffed and taken in for questioning," he quotes an F.B.I. agent in West Virginia telling him). Alongside these classic depictions of looming, obdurate power, Epstein includes more idiomatic images--a woman wading in the water above Niagara Falls, father and son motorcross bikers, a tree cluttered with debris--which bring the issues back down to human scale. Epstein tells in an accompanying essay how these experiences deepened his political convictions, and led him to think harder about the artist's role in a country teetering between collapse and transformation. Here is his portrait of early twenty-first-century America, as it clings to past comforts and gropes for a more sensible and sustainable future.
Mitch Epstein has scrutinized the physical and psychic landscapes of America since the early 1970s. With the Recreation and Family Business projects, Epstein established himself as an artist who, in his own words, seeks "to engage with the complexity of our cultural state of things, rather than reduce it to visual sloganeering."
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| | | |  | Edited by Andrew Roth.STEIDL/PPP EDITIONSISBN: 9783958296091
USD $75.00 | CAN $105Pub Date: 11/12/2019
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|  | Edited by Susan Bell, Ryan Spencer. Text by Mitch Epstein, Susan Bell.STEIDLISBN: 9783958291607
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|  | Edited by Susan Bell, Ryan Spencer.STEIDLISBN: 9783869302249
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|  | Text by Mitch Epstein.STEIDL PHOTOGRAPHY INTERNATIONALISBN: 9783865219244
USD $75.00 | CAN $99Pub Date: 10/31/2009
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FORMAT: Clth, 11.75 x 10.75 in. / 144 pgs / 64 color.
LIST PRICE: U.S. $75.00
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ISBN: 9783865219244
PUBLISHER: Steidl Photography International
AVAILABLE: 10/31/2009
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| Mitch Epstein: American Power Published by Steidl Photography International.
Text by Mitch Epstein. | Mitch Epstein's latest project tackles one of the most loaded issues on the nation's agenda: what and who powers America? Between 2003 and 2008, prompted by the evacuation of an environmentally contaminated Ohio town, Epstein traveled the United States to document the country's energy "hot spots," where fossil fuel, nuclear, hydroelectric, wind and solar power are produced, encountering further contaminations, Homeland Security obstacles, corporate invincibility and the occasional token of hope. In a post-Katrina and post-Patriot Act America, the angle of engagement permitted Epstein often varied, so that many of the power plants and refineries were shot from an enforced distance ("If you were Muslim, you'd be cuffed and taken in for questioning," he quotes an F.B.I. agent in West Virginia telling him). Alongside these classic depictions of looming, obdurate power, Epstein includes more idiomatic images--a woman wading in the water above Niagara Falls, father and son motorcross bikers, a tree cluttered with debris--which bring the issues back down to human scale. Epstein tells in an accompanying essay how these experiences deepened his political convictions, and led him to think harder about the artist's role in a country teetering between collapse and transformation. Here is his portrait of early twenty-first-century America, as it clings to past comforts and gropes for a more sensible and sustainable future.
Mitch Epstein has scrutinized the physical and psychic landscapes of America since the early 1970s. With the Recreation and Family Business projects, Epstein established himself as an artist who, in his own words, seeks "to engage with the complexity of our cultural state of things, rather than reduce it to visual sloganeering."
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