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| |   |   | Hans-Peter Feldmann: Nur für Privat
German photographer Hans-Peter Feldmann (born 1941) is a virtuoso taxonomist of contemporary visual culture, whose artists’ books collate vernacular found imagery into revelatory historical documents. With Nur für Privat (which translates roughly as "for private use only"), Feldmann has created a portrait of the German "swinger scene" of the 1970s and ‘80s.
The book is composed of amateur photographs of women in various degrees of undress, which were enclosed with letters and circulated among couples to convey sexual proclivities and attractiveness, as a way of getting to know each other. (Initial contact would be made through ads in newspapers and magazines.) The photos, taken from a collection of more than 1,000 images, were mostly shot in domestic settings, or outdoors against bucolic backdrops, with props ranging from bondage gear to imaginatively deployed candles. Nur für Privat is destined to become a landmark installment in Feldmann’s oeuvre.
Featured images are reproduced from 'Hans-Peter Feldmann: Nur für Privat.' |
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| | | |  | WALTHER KöNIG, KöLNISBN: 9783863359188 USD $40.00 | CAN $54Pub Date: 9/27/2016 Active | In stock
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FORMAT: Hbk, 6.75 x 8 in. / 152 pgs / 259 color. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $54 ISBN: 9783863359188 PUBLISHER: Walther König, Köln AVAILABLE: 9/27/2016 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2017 Page 131 | PRESS INQUIRIES
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| Hans-Peter Feldmann: Nur für Privat Published by Walther König, Köln. German photographer Hans-Peter Feldmann (born 1941) is a virtuoso taxonomist of contemporary visual culture, whose artists’ books collate vernacular found imagery into revelatory historical documents. With Nur für Privat (which translates roughly as "for private use only"), Feldmann has created a portrait of the German "swinger scene" of the 1970s and ‘80s.
The book is composed of amateur photographs of women in various degrees of undress, which were enclosed with letters and circulated among couples to convey sexual proclivities and attractiveness, as a way of getting to know each other. (Initial contact would be made through ads in newspapers and magazines.) The photos, taken from a collection of more than 1,000 images, were mostly shot in domestic settings, or outdoors against bucolic backdrops, with props ranging from bondage gear to imaginatively deployed candles. Nur für Privat is destined to become a landmark installment in Feldmann’s oeuvre.
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