In previous series, Czech photographer Jitka Hanzlová (born 1958) has explored the connections between individuals, their identities and their environments. In the body of work collected here, she turns her camera on horses. As art historian Jesus Carrillo Castillo has noted, horses are more familiar as images than as animals--so to recapture the physicality of the horse, and convey something of the visceral experience of being with these animals, Hanzlová zooms in on the details. She moves in close to her subjects, creating intimate color photographs of parts of horses, capturing the essence of these animals in the texture of their eyelashes, the fur on their ears or a piece of grass caught in a long tail. Beautifully produced in an oversized clothbound format, Jitka Hanzlová: Horse features a preface by John Berger.
PRAISE AND REVIEWS
Time, Best Photobooks of 2016
Mark Steinmetz
Jitka Hanzlová’s Horse is a beautifully designed and produced collection of (mostly) color photographs of horses. Her images, which are all vertical, demonstrate a keen, highly refined and idiosyncratic photographic intelligence combined with a child-like delight in observing the physical facts and physical nature of the horse.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Hbk, 11.75 x 14 in. / 92 pgs / 47 color. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $87 ISBN: 9783863358778 PUBLISHER: Koenig Books AVAILABLE: 6/14/2016 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ASIA AU/NZ AFR
Published by Koenig Books. Preface by John Berger.
In previous series, Czech photographer Jitka Hanzlová (born 1958) has explored the connections between individuals, their identities and their environments. In the body of work collected here, she turns her camera on horses. As art historian Jesus Carrillo Castillo has noted, horses are more familiar as images than as animals--so to recapture the physicality of the horse, and convey something of the visceral experience of being with these animals, Hanzlová zooms in on the details. She moves in close to her subjects, creating intimate color photographs of parts of horses, capturing the essence of these animals in the texture of their eyelashes, the fur on their ears or a piece of grass caught in a long tail. Beautifully produced in an oversized clothbound format, Jitka Hanzlová: Horse features a preface by John Berger.
