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Clth, 9.5 x 10.5 in. / 144 pgs / 98 color / 7 bw. PUBLISHING STATUS
Pub Date 9/29/2015
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ISBN 9783863357740 FLAT40
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| | | Sigmar Polke: Starting from WillichPhotographs 1973-78Text by Laszlo Glozer.
 In 1972, Sigmar Polke (1941–2010) moved into the Gaspelshof in Willich on the Lower Rhine, which soon became an artist commune. This place had a tremendous influence on Polke's output; from Willich he set off on numerous journeys with his wife, Katharina Steffen, and lived and worked among a group of friends. Starting from Willich provides special insight into Polke's photographic work from the 1970s. With over 100 images, many never before published or exhibited, the volume offers a glimpse into Germany's 70s alternative scene and Polke's experimentation in the dark room, his forays into multiple exposure, solarisation and chemical processing yielding seemingly unreal, almost transcendental images. Many of these photographs feature masquerade scenes: friends in clown-like get-ups, and Polke himself spontaneously captured on film. This volume, with an essay by Laszlo Glozer, is a superb compendium of a pioneering body of photography.
"Obne Titel (à deux I)" (1975) is reproduced from Sigmar Polke: Starting from Willich. |
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| | | |  | Walther König, KölnISBN: 9783863357740
USD $39.95 | CAN $53.95Pub Date: 9/29/2015
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USD $65.00 | CAN $87Pub Date: 11/30/2010
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USD $49.95 | CAN $67.5Pub Date: 8/31/2010
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FORMAT: Clth, 9.5 x 10.5 in. / 144 pgs / 98 color / 7 b&w.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $53.95
ISBN: 9783863357740
PUBLISHER: Walther König, Köln
AVAILABLE: 9/29/2015
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: SPRING 2016 Page 136 | PRESS INQUIRIES
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| Sigmar Polke: Starting from Willich
Photographs 1973-78 Published by Walther König, Köln.
Text by Laszlo Glozer. In 1972, Sigmar Polke (1941–2010) moved into the Gaspelshof in Willich on the Lower Rhine, which soon became an artist commune. This place had a tremendous influence on Polke's output; from Willich he set off on numerous journeys with his wife, Katharina Steffen, and lived and worked among a group of friends. Starting from Willich provides special insight into Polke's photographic work from the 1970s. With over 100 images, many never before published or exhibited, the volume offers a glimpse into Germany's 70s alternative scene and Polke's experimentation in the dark room, his forays into multiple exposure, solarisation and chemical processing yielding seemingly unreal, almost transcendental images. Many of these photographs feature masquerade scenes: friends in clown-like get-ups, and Polke himself spontaneously captured on film. This volume, with an essay by Laszlo Glozer, is a superb compendium of a pioneering body of photography.
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