Edited by Sabine Himmelsbach. Text by Rudolf Frieling, Thomas Huber.
At the center of this publication is artist and filmmaker Lynn Hershman Leeson‘s (born 1941) installation The Infinity Engine, modeled after a genetics laboratory. Hershman Leeson, who divides her time between New York and San Francisco, has been examining the interplay of technology, media and identity since the 1960s, through the mediums of photography, film, video, objects and installations, computer-based art, software and performance.
Here, she shows how the boundaries between natural and artificial life are dissolving at an increasingly rapid pace in the age of synthetic biology, and explores how life itself can now be artificially shaped—from DNA manipulation, artificial human organs manufactured via 3D-bioprinting and antibody research to the use of DNA as a biological storage medium. Documenting these works through installation photographs of the artist’s exhibition at the HeK Basel, this volume also contains essays that offer both scientific context and insight into this trailblazing artist’s oeuvre and her current focus on biotechnology.
Featured image is reproduced from 'Lynn Hershman Leeson: Antibodies.'
PRAISE AND REVIEWS
New York Times
Holland Cotter
The artist Lynn Hershman Leeson has always been ahead of the pack in her fusion of art and science...[Anti-Bodies] offers a clear précis of her thinking. At a time when so much new art feels so old, this work feels like the future, which is now.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Pbk, 6.75 x 9.5 in. / 120 pgs / illustrated throughout. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $62 ISBN: 9783775746113 PUBLISHER: Hatje Cantz AVAILABLE: 10/8/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA
Published by Hatje Cantz. Edited by Sabine Himmelsbach. Text by Rudolf Frieling, Thomas Huber.
At the center of this publication is artist and filmmaker Lynn Hershman Leeson‘s (born 1941) installation The Infinity Engine, modeled after a genetics laboratory. Hershman Leeson, who divides her time between New York and San Francisco, has been examining the interplay of technology, media and identity since the 1960s, through the mediums of photography, film, video, objects and installations, computer-based art, software and performance.
Here, she shows how the boundaries between natural and artificial life are dissolving at an increasingly rapid pace in the age of synthetic biology, and explores how life itself can now be artificially shaped—from DNA manipulation, artificial human organs manufactured via 3D-bioprinting and antibody research to the use of DNA as a biological storage medium. Documenting these works through installation photographs of the artist’s exhibition at the HeK Basel, this volume also contains essays that offer both scientific context and insight into this trailblazing artist’s oeuvre and her current focus on biotechnology.
