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| | | | Nalini Malani: MalaniEdited by Sophie Duplaix.
A pioneering artist in painting, film, photography, video art and performance, Indian artist Nalini Malani (born 1946) is a transition figure between the modern and contemporary art of her country.Her work, which criticizes the political situation in India, is based not only on an iconography typical of the subcontinent’s culture, but also on Western artistic and literary tradition. Published for the Centre Pompidou’s major retrospective, this book presents works from 1969–2017, covering almost five decades of her oeuvre. For this occasion, she revived a spectacular work from the museum’s collection: the “video shadow theater” Remembering Mad Meg (2007). Through this reprisal, Malani evokes the concepts underlying her work: utopias, dystopia, and her vision of India and the position of women throughout the world.
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| | | |  | HATJE CANTZISBN: 9783775744119
USD $55.00 | CAN $72.5Pub Date: 12/18/2018
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|  | HATJE CANTZISBN: 9783775742900
USD $55.00 | CAN $72.5Pub Date: 1/23/2018
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|  | HATJE CANTZISBN: 9783775741460
USD $70.00 | CAN $92.5Pub Date: 9/27/2016
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|  | HATJE CANTZISBN: 9783775732260
USD $55.00 | CAN $72.5Pub Date: 10/31/2012
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FORMAT: Hbk, 8 x 11 in. / 240 pgs / 139 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $72.5
ISBN: 9783775742900
PUBLISHER: Hatje Cantz
AVAILABLE: 1/23/2018
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Nalini Malani: Malani Published by Hatje Cantz.
Edited by Sophie Duplaix. A pioneering artist in painting, film, photography, video art and performance, Indian artist Nalini Malani (born 1946) is a transition figure between the modern and contemporary art of her country. Her work, which criticizes the political situation in India, is based not only on an iconography typical of the subcontinent’s culture, but also on Western artistic and literary tradition. Published for the Centre Pompidou’s major retrospective, this book presents works from 1969–2017, covering almost five decades of her oeuvre. For this occasion, she revived a spectacular work from the museum’s collection: the “video shadow theater” Remembering Mad Meg (2007). Through this reprisal, Malani evokes the concepts underlying her work: utopias, dystopia, and her vision of India and the position of women throughout the world.
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