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| | BOOK FORMAT
Clth, 10.25 x 12.75 in. / 136 pgs / 64 color. PUBLISHING STATUS
Pub Date 2/23/2016
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Catalog: SPRING 2016 p. 187 PRODUCT DETAILS
ISBN 9783775740425 FLAT40
List Price: $85.00 CDN $112.50 AVAILABILITY
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| | | Jorinde Voigt: Ludwig van Beethoven Sonatas 1–32Edited by David Nolan. Text by Franz W. Kaiser, Jorinde Voigt.
Described by The Guardian as a “rising star” on the German art scene, German artist Jorinde Voigt (born 1977) has been steadily developing a semiotic system in her drawings that interweaves subjectivity and systematics, spontaneity and meticulousness, chaos and order, poetry and science. Through her philosophical drawing process she attempts to reveal complex phenomena from our environment and culture in visual compositions founded upon certain parameters. The starting point for Voigt’s current series of works, Ludwig van Beethoven, Sonate 1–32, comprises the musical scores for the cycle of piano sonatas that Beethoven composed in the late 18th and early 19th centuries, which has been called the “New Testament of music.” Here, the artist does not strive to illustrate or interpret the music; rather, she was more concerned with researching perception and “developing a way of writing that extracts the emotional spectrum inscribed in Beethoven’s scores”—in other words, to survey the invisible.
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USD $75.00 | CAN $108Pub Date: 11/26/2019
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|  | WALTHER KöNIG, KöLNISBN: 9783960981466
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|  | HATJE CANTZISBN: 9783775740425
USD $85.00 | CAN $112.5Pub Date: 2/23/2016
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|  | HATJE CANTZISBN: 9783775734738
USD $60.00 | CAN $79Pub Date: 2/28/2013
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FORMAT: Clth, 10.25 x 12.75 in. / 136 pgs / 64 color.
LIST PRICE: U.S. $85.00
LIST PRICE: CANADA $112.5
ISBN: 9783775740425
PUBLISHER: Hatje Cantz
AVAILABLE: 2/23/2016
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2016 Page 187 | PRESS INQUIRIES
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| Jorinde Voigt: Ludwig van Beethoven Sonatas 1–32 Published by Hatje Cantz.
Edited by David Nolan. Text by Franz W. Kaiser, Jorinde Voigt. Described by The Guardian as a “rising star” on the German art scene, German artist Jorinde Voigt (born 1977) has been steadily developing a semiotic system in her drawings that interweaves subjectivity and systematics, spontaneity and meticulousness, chaos and order, poetry and science. Through her philosophical drawing process she attempts to reveal complex phenomena from our environment and culture in visual compositions founded upon certain parameters. The starting point for Voigt’s current series of works, Ludwig van Beethoven, Sonate 1–32, comprises the musical scores for the cycle of piano sonatas that Beethoven composed in the late 18th and early 19th centuries, which has been called the “New Testament of music.” Here, the artist does not strive to illustrate or interpret the music; rather, she was more concerned with researching perception and “developing a way of writing that extracts the emotional spectrum inscribed in Beethoven’s scores”—in other words, to survey the invisible.
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