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| |   |   | Hans Arp: SculpturesA Critical SurveyEdited and with text by Arie Hartog, Kai Fischer.
Hans Arp (1886–1966) can justly be called the father of twentieth-century abstract sculpture, an artist whose impact traversed countless early modernist avant-gardes, from Dada and Surrealism to Concrete art. Arp’s sculptures, in all their wondrous morphous plasticity, lend themselves ideally to such varied assimilation, and also--less happily--to forgery. In recent years, some controversy has arisen as to the authenticity of several Arp works, as a number of imitations have circulated in the art market. This substantial publication, undertaken by the independent scholars Arie Hartog and Kai Fischer, decisively counters the problem by assembling all of the authenticated examples of every one of Arp’s known sculptures and bringing their respective status up to date. An introductory essay describes the posthumous history of Hans Arp’s oeuvre.
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| | | |  | STEIDL/FONDAZIONE MARGUERITE ARP-HAGENBACH, LOCARNOISBN: 9783958293366 USD $195.00 | CAN $275Pub Date: 2/6/2024 Forthcoming
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FORMAT: Clth, 9 x 11.75 in. / 423 pgs / 40 color. LIST PRICE: U.S. $120.00 LIST PRICE: CANADA $160 ISBN: 9783775733205 PUBLISHER: Hatje Cantz AVAILABLE: 10/31/2012 DISTRIBUTION: D.A.P. RETAILER DISC: SDNR30 PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: FALL 2012 Page 108 | PRESS INQUIRIES
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| Hans Arp: Sculptures A Critical Survey Published by Hatje Cantz. Edited and with text by Arie Hartog, Kai Fischer. Hans Arp (1886–1966) can justly be called the father of twentieth-century abstract sculpture, an artist whose impact traversed countless early modernist avant-gardes, from Dada and Surrealism to Concrete art. Arp’s sculptures, in all their wondrous morphous plasticity, lend themselves ideally to such varied assimilation, and also--less happily--to forgery. In recent years, some controversy has arisen as to the authenticity of several Arp works, as a number of imitations have circulated in the art market. This substantial publication, undertaken by the independent scholars Arie Hartog and Kai Fischer, decisively counters the problem by assembling all of the authenticated examples of every one of Arp’s known sculptures and bringing their respective status up to date. An introductory essay describes the posthumous history of Hans Arp’s oeuvre.
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