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| | | | Michelangelo Pistoletto: Mirror WorksText by Michael Auping, Pascal Gielen, Jeremy Lewison.
Michelangelo Pistoletto (born 1933) is one of Arte Povera's most significant protagonists. It is with the Mirror Paintings that Pistoletto's name is mostly closely identified, an ongoing series begun in 1962 that has earned him rapid and enduring international recognition. These works are made from sheets of mirror-finished stainless steel, fitted with a full-length portrait photograph that has been meticulously traced and painted onto its surface (after 1971 the image was silkscreened on). The inclusion in the work of the viewer, his or her surroundings and his or her interaction with the photographed person in the mirror is the key to the boggling reflexivity that drives this work. This book evaluates the Mirror Paintings of the past four years. It includes an interview with the artist and a fully illustrated chronology of Mirror Paintings from 1962 to the present.
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| | | | |  | WALTHER KöNIG, KöLN/KOENIG BOOKSISBN: 9783863350543
USD $34.95 | CAN $45.95Pub Date: 2/29/2012
Active | In stock
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|  | MARSILIO EDITORIISBN: 9788831706490
USD $24.95 | CAN $34.95 UK £ 22Pub Date: 10/19/2010
Active | In stock
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FORMAT: Hbk, 10.5 x 12.25 in. / 168 pgs / 240 color.
LIST PRICE: U.S. $95.00
LIST PRICE: CANADA $115
ISBN: 9783775726962
PUBLISHER: Hatje Cantz
AVAILABLE: 10/31/2011
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Michelangelo Pistoletto: Mirror Works Published by Hatje Cantz.
Text by Michael Auping, Pascal Gielen, Jeremy Lewison. Michelangelo Pistoletto (born 1933) is one of Arte Povera's most significant protagonists. It is with the Mirror Paintings that Pistoletto's name is mostly closely identified, an ongoing series begun in 1962 that has earned him rapid and enduring international recognition. These works are made from sheets of mirror-finished stainless steel, fitted with a full-length portrait photograph that has been meticulously traced and painted onto its surface (after 1971 the image was silkscreened on). The inclusion in the work of the viewer, his or her surroundings and his or her interaction with the photographed person in the mirror is the key to the boggling reflexivity that drives this work. This book evaluates the Mirror Paintings of the past four years. It includes an interview with the artist and a fully illustrated chronology of Mirror Paintings from 1962 to the present.
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