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Hardcover, 11 x 11 in. / 240 pgs / 12 color / 160 bw / 30 duotone. PUBLISHING STATUS
Pub Date 3/1/2008
Out of print DISTRIBUTION
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Catalog: SPRING 2008 p. 85 PRODUCT DETAILS
ISBN 9783775721080 TRADE
List Price: $60.00 CDN $70.00 AVAILABILITY
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| | | Jannis KounellisText by Angela Schneider, Marc Scheps.
In 1969, Greek-born Jannis Kounellis famously exhibited 11 live horses at Rome’s Galleria l’Attico. Kounellis, who has been living in Rome since the beginning of his career, is a pioneer of the Arte Povera movement, which originated in Italy in the mid-60s and is characterized by antiestablishment media (like street theater) and antielitist materials (like rope, rocks and discarded metal). Kounellis preferred dirt, fire, gold, burlap sacks, smoke and coffee grounds--to name a few of the substances that gradually appeared in his sculptures and installations. In 2002, Kounellis created his masterwork, “Labyrinth,” a monumental installation composed of 143 eight-foot-tall vertical iron panels surrounded by a layer of coal. Viewers can walk through to encounter traces of Kounellis’ past pieces: burlap sacks, an iron cot, coffee grounds. Like a trip through “Labyrinth,” this comprehensive monograph contributes richly to the understanding of Kounellis’ influential 40-year career.
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|  | Text by Angela Schneider, Marc Scheps.HATJE CANTZISBN: 9783775721080
USD $60.00 | CAN $70Pub Date: 3/1/2008
Out of print | Not available
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|  | Essay Gloria Moure.EDICIONES POLíGRAFAISBN: 9788434309227
USD $60.00 | CAN $70Pub Date: 8/2/2001
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FORMAT: Hardcover, 11 x 11 in. / 240 pgs / 12 color / 160 b&w / 30 duotone.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $70
ISBN: 9783775721080
PUBLISHER: Hatje Cantz
AVAILABLE: 3/1/2008
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PUBLISHING STATUS: Out of print
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| Jannis Kounellis Published by Hatje Cantz.
Text by Angela Schneider, Marc Scheps. | In 1969, Greek-born Jannis Kounellis famously exhibited 11 live horses at Rome’s Galleria l’Attico. Kounellis, who has been living in Rome since the beginning of his career, is a pioneer of the Arte Povera movement, which originated in Italy in the mid-60s and is characterized by antiestablishment media (like street theater) and antielitist materials (like rope, rocks and discarded metal). Kounellis preferred dirt, fire, gold, burlap sacks, smoke and coffee grounds--to name a few of the substances that gradually appeared in his sculptures and installations. In 2002, Kounellis created his masterwork, “Labyrinth,” a monumental installation composed of 143 eight-foot-tall vertical iron panels surrounded by a layer of coal. Viewers can walk through to encounter traces of Kounellis’ past pieces: burlap sacks, an iron cot, coffee grounds. Like a trip through “Labyrinth,” this comprehensive monograph contributes richly to the understanding of Kounellis’ influential 40-year career.
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