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Hardback, 9.75 x 11.75 in. / 128 pgs / 55 color / 28 bw. PUBLISHING STATUS
Pub Date 2/1/2008
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Catalog: SPRING 2008 p. 94 PRODUCT DETAILS
ISBN 9783775720199 TRADE
List Price: $55.00 CDN $65.00 AVAILABILITY
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| | | Andreas GurskyText by Beate Söntgen, Nina Zimmer. Preface by Bernhard Mendes Bürgi.
Famed worldwide for his epically proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky’s final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times.
This publication surveys the artist’s most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula 1 races and the other on the famous Arirang Festival (a closely choreographed mass spectacle in North Korea’s capital of Pyongyang), are gathered here.
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| | | | OF RELATED INTEREST |  Essay by Peter Galassi. Foreword by Glenn D. Lowry.THE MUSEUM OF MODERN ART, NEW YORKISBN: 9780870700163
USD $65.00 | CAN $87Pub Date: 7/2/2002
Out of stock indefinitely | Not available
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FORMAT: Hardback, 9.75 x 11.75 in. / 128 pgs / 55 color / 28 b&w.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9783775720199
PUBLISHER: Hatje Cantz
AVAILABLE: 2/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2008 Page 94 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Andreas Gursky Published by Hatje Cantz.
Text by Beate Söntgen, Nina Zimmer. Preface by Bernhard Mendes Bürgi. | Famed worldwide for his epically proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky’s final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times.
This publication surveys the artist’s most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula 1 races and the other on the famous Arirang Festival (a closely choreographed mass spectacle in North Korea’s capital of Pyongyang), are gathered here.
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