Edited by Barbara Flückiger, Eva Hielscher, Nadine Wietlisbach.
More than 230 film color processes have been devised in the course of film history, often in connection with photography. Both mediums institutionalized the techniques of hand and stencil coloring as well as toning. Printing methods such as the Pinatype or Technicolor, and screen processes like the Autochrome or Dufaycolor were initially developed in the context of still photography before being used in motion pictures in the 1920s.
This publication highlights material aspects of color in photography and film, while also investigating the relationship of historical film colors and present-day photography.
Alongside film stills from the likes of Godard and Lynch, works by contemporary photographers and artists—Dunja Evers, Raphael Hefti, Alexandra Navratil and others—reflect on technological and culture-theoretical aspects of the material of color. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism and travel.
Featured image is reproduced from 'Color Mania.'
STATUS: Forthcoming | 12/10/2019
This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Pbk, 6.5 x 9.5 in. / 120 pgs / 54 color. LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $45 ISBN: 9783037786079 PUBLISHER: Lars Müller Publishers AVAILABLE: 12/10/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: NA ONLY
Color Mania The Material of Color in Photography and Film
Published by Lars Müller Publishers. Edited by Barbara Flückiger, Eva Hielscher, Nadine Wietlisbach.
More than 230 film color processes have been devised in the course of film history, often in connection with photography. Both mediums institutionalized the techniques of hand and stencil coloring as well as toning. Printing methods such as the Pinatype or Technicolor, and screen processes like the Autochrome or Dufaycolor were initially developed in the context of still photography before being used in motion pictures in the 1920s.
This publication highlights material aspects of color in photography and film, while also investigating the relationship of historical film colors and present-day photography.
Alongside film stills from the likes of Godard and Lynch, works by contemporary photographers and artists—Dunja Evers, Raphael Hefti, Alexandra Navratil and others—reflect on technological and culture-theoretical aspects of the material of color. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism and travel.
