Edited by Raphael Gygax, Heike Munder. Text by Verena Kuni, Philip Auslander, Kristina Köhler.
Between Zones explores the possibilities of documenting time-based works. Examining the intersection of disciplines such as sculpture and installation, or reproducible media, such as film and photography, with the fields of dance, music and performance art, this publication outlines the theoretical underpinnings of these relationships. Based on her own practice as a documenter of the Judson Dance Theater, Babette Mangolte examines the relationship between movement and speed in the filming of performative processes; Raphael Gygax posits the notion that performances, their installation venues and the objects involved may be read as rituals, places of ritual and relics; and Verena Kuni investigates themes of temporality and transience in art, sound and music. These represent just a sampling of the diverse essays included in this book, by a range of scholars and practitioners in the performance fields.
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FORMAT: Hbk, 5.75 x 9.25 in. / 352 pgs / 19 color / 69 b&w. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9783037641255 PUBLISHER: JRP|Ringier AVAILABLE: 1/31/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by JRP|Ringier. Edited by Raphael Gygax, Heike Munder. Text by Verena Kuni, Philip Auslander, Kristina Köhler.
Between Zones explores the possibilities of documenting time-based works. Examining the intersection of disciplines such as sculpture and installation, or reproducible media, such as film and photography, with the fields of dance, music and performance art, this publication outlines the theoretical underpinnings of these relationships. Based on her own practice as a documenter of the Judson Dance Theater, Babette Mangolte examines the relationship between movement and speed in the filming of performative processes; Raphael Gygax posits the notion that performances, their installation venues and the objects involved may be read as rituals, places of ritual and relics; and Verena Kuni investigates themes of temporality and transience in art, sound and music. These represent just a sampling of the diverse essays included in this book, by a range of scholars and practitioners in the performance fields.
