| | BOOK FORMAT Flexi, 6.75 x 9.5 in. / 176 pgs / 79 color. PUBLISHING STATUS Pub Date 3/31/2010 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2010 p. 81 PRODUCT DETAILS ISBN 9783037640715 TRADE List Price: $35.00 CAD $47.50 AVAILABILITY Not available | TERRITORY WORLD Excl FR DE AU CH | | THE SPRING 2025 ARTBOOK | D.A.P. CATALOG  | Preview our SPRING 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Not to Play with Dead ThingsEdited by Marie de Brugerolle. Text by Catherine Wood, Patricia Brignone, Arnaud Labelle-Rojoux.
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?
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FORMAT: Flexi, 6.75 x 9.5 in. / 176 pgs / 79 color. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $47.5 ISBN: 9783037640715 PUBLISHER: JRP|Ringier AVAILABLE: 3/31/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD Excl FR DE AU CH | D.A.P. CATALOG: SPRING 2010 Page 81 | PRESS INQUIRIES
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| Not to Play with Dead Things Published by JRP|Ringier. Edited by Marie de Brugerolle. Text by Catherine Wood, Patricia Brignone, Arnaud Labelle-Rojoux. From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?
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