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| | BOOK FORMAT Paperback, 5.25 x 7 in. / 119 pgs. PUBLISHING STATUS Pub Date 3/1/2008 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 116 PRODUCT DETAILS ISBN 9782960051346 TRADE List Price: $24.00 CDN $33.00 AVAILABILITY In stock | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Conversation with Peter DownsbroughPreface by James Welling. Interview by Marie Thérèse Champesme.
In this book-length conversation between art historian and independent curator Marie-Thérèse Champesme and the Brussels-based conceptualist known for his challenging photography, sculpture and installed works, topics range from Downsbrough's early and ideal future artworks, interracial dating during the civil rights era, building a house in New Hampshire, the 1970s Belgian art scene and more. Los Angeles conceptual photographer James Welling's introduction captures the spirit: "Downsbrough's work is catalytic. It changes the place surrounding it, while the objects remain stable, unchanged. The 1960s were a revolutionary time for sculpture. When I look at Peter Downsbrough's new work today, I am reminded of the openness found in sculpture from that era. For some time, I've been of the opinion that sculpture encompasses all the other genres of art making. Said differently: Almost anything could be sculpture."
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| | | OF RELATED INTEREST |  Essays by Russell Ferguson, Christian Besson, Marie Thérèse Champesme, and Marjorie Welish.EXHIBITIONS INTERNATIONAL/PALAIS DES BEAUX-ARTS BRUSSELSISBN: 9789074816342 USD $40.00 | CAN $54Pub Date: 8/2/2004 Active | In stock
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FORMAT: Paperback, 5.25 x 7 in. / 119 pgs. LIST PRICE: U.S. $24.00 LIST PRICE: CANADA $33 ISBN: 9782960051346 PUBLISHER: Exhibitions International AVAILABLE: 3/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2008 Page 116 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Conversation with Peter Downsbrough Published by Exhibitions International. Preface by James Welling. Interview by Marie Thérèse Champesme. | In this book-length conversation between art historian and independent curator Marie-Thérèse Champesme and the Brussels-based conceptualist known for his challenging photography, sculpture and installed works, topics range from Downsbrough's early and ideal future artworks, interracial dating during the civil rights era, building a house in New Hampshire, the 1970s Belgian art scene and more. Los Angeles conceptual photographer James Welling's introduction captures the spirit: "Downsbrough's work is catalytic. It changes the place surrounding it, while the objects remain stable, unchanged. The 1960s were a revolutionary time for sculpture. When I look at Peter Downsbrough's new work today, I am reminded of the openness found in sculpture from that era. For some time, I've been of the opinion that sculpture encompasses all the other genres of art making. Said differently: Almost anything could be sculpture."
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