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Paperback, 5.25 x 7 in. / 119 pgs. PUBLISHING STATUS
Pub Date 3/1/2008
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Catalog: SPRING 2008 p. 116 PRODUCT DETAILS
ISBN 9782960051346 TRADE
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| | | Conversation with Peter DownsbroughPreface by James Welling. Interview by Marie Thérèse Champesme.
In this book-length conversation between art historian and independent curator Marie-Thérèse Champesme and the Brussels-based conceptualist known for his challenging photography, sculpture and installed works, topics range from Downsbrough's early and ideal future artworks, interracial dating during the civil rights era, building a house in New Hampshire, the 1970s Belgian art scene and more. Los Angeles conceptual photographer James Welling's introduction captures the spirit: "Downsbrough's work is catalytic. It changes the place surrounding it, while the objects remain stable, unchanged. The 1960s were a revolutionary time for sculpture. When I look at Peter Downsbrough's new work today, I am reminded of the openness found in sculpture from that era. For some time, I've been of the opinion that sculpture encompasses all the other genres of art making. Said differently: Almost anything could be sculpture."
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| | | OF RELATED INTEREST |  EXHIBITIONS INTERNATIONAL/PALAIS DES BEAUX-ARTS BRUSSELSISBN: 9789074816342
USD $40.00 | CAN $54Pub Date: 8/2/2004
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FORMAT: Paperback, 5.25 x 7 in. / 119 pgs.
LIST PRICE: U.S. $24.00
LIST PRICE: CANADA $33
ISBN: 9782960051346
PUBLISHER: Exhibitions International
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
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PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Conversation with Peter Downsbrough Published by Exhibitions International.
Preface by James Welling. Interview by Marie Thérèse Champesme. In this book-length conversation between art historian and independent curator Marie-Thérèse Champesme and the Brussels-based conceptualist known for his challenging photography, sculpture and installed works, topics range from Downsbrough's early and ideal future artworks, interracial dating during the civil rights era, building a house in New Hampshire, the 1970s Belgian art scene and more. Los Angeles conceptual photographer James Welling's introduction captures the spirit: "Downsbrough's work is catalytic. It changes the place surrounding it, while the objects remain stable, unchanged. The 1960s were a revolutionary time for sculpture. When I look at Peter Downsbrough's new work today, I am reminded of the openness found in sculpture from that era. For some time, I've been of the opinion that sculpture encompasses all the other genres of art making. Said differently: Almost anything could be sculpture."
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