An acidic portrait of the grifters and pretenders of the art world, from the celebrated author of The Mars Room
In Rachel Kushner’s latest work of fiction, The Mayor of Leipzig, an unnamed artist recounts her travels from New York City to Cologne—where she contemplates German guilt and art-world grifters, and Leipzig—where she encounters live “adult entertainment” in a business hotel. The narrator gossips about everyone, including the author. “Taking a time out from what happened to me in Cologne and in Leipzig,” Kushner writes, “I want to let you in on a secret: I personally know the author of this story you’re reading. Because she fancies herself an art world type, a hanger-on. Who would do that voluntarily? I mean, it’s not like someone held a gun to my head and said, Be an artist. I chose it, but I still can’t imagine having anything to do with the art world if you don’t have to. Also, people who don’t make stuff, who instead try to catalogue, periodize, and understand art, they never understand the first thing. Art is about taste, a sense of humor, and most writers lack both.”
Rachel Kushner (born 1968) is the author of The Flamethrowers (2013) and The Mars Room (2018). Her debut novel, Telex from Cuba, was a finalist for the 2008 National Book Award and a New York Times bestseller and Notable Book. A collection of her early work, The Strange Case of Rachel K, was published by New Directions in 2015. Her fiction has appeared in the New Yorker, Harper’s and the Paris Review.
PRAISE AND REVIEWS
4 Columns
Lucy Ives
The Mayor of Leipzig, published by the Lower East Side gallery Karma, represents something of a departure. Or, maybe it’s a vacation. Narrated by an unnamed American female visual artist, The Mayor of Leipzig is a tale of nonevents suspended in a sort of non-time that might or might not be the Euro-American art world of the late 2000s and mid-2010s.
ARTnews
Rachel Wetzler
Plenty of hilarious, sharply observed vignettes about artists’ social and professional obligations.
in stock $20.00
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FORMAT: Hbk, 9.25 x 6.5 in. / 80 pgs / 1 b&w. LIST PRICE: U.S. $20.00 LIST PRICE: CANADA $28 GBP £17.50 ISBN: 9781949172478 PUBLISHER: Karma Books, New York AVAILABLE: 3/30/2021 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by Karma Books, New York. By Rachel Kushner.
An acidic portrait of the grifters and pretenders of the art world, from the celebrated author of The Mars Room
In Rachel Kushner’s latest work of fiction, The Mayor of Leipzig, an unnamed artist recounts her travels from New York City to Cologne—where she contemplates German guilt and art-world grifters, and Leipzig—where she encounters live “adult entertainment” in a business hotel. The narrator gossips about everyone, including the author. “Taking a time out from what happened to me in Cologne and in Leipzig,” Kushner writes, “I want to let you in on a secret: I personally know the author of this story you’re reading. Because she fancies herself an art world type, a hanger-on. Who would do that voluntarily? I mean, it’s not like someone held a gun to my head and said, Be an artist. I chose it, but I still can’t imagine having anything to do with the art world if you don’t have to. Also, people who don’t make stuff, who instead try to catalogue, periodize, and understand art, they never understand the first thing. Art is about taste, a sense of humor, and most writers lack both.”
Rachel Kushner (born 1968) is the author of The Flamethrowers (2013) and The Mars Room (2018). Her debut novel, Telex from Cuba, was a finalist for the 2008 National Book Award and a New York Times bestseller and Notable Book. A collection of her early work, The Strange Case of Rachel K, was published by New Directions in 2015. Her fiction has appeared in the New Yorker, Harper’s and the Paris Review.
