Text by Suzanne Hudson, Sarah K. Rich, Henri Michaux, Miranda Mellis. Interview with Brett Gorvy by Rachel Wolff. Poetry by Pablo Neruda.
This fully illustrated catalog accompanies the first exhibition curated by Brett Gorvy for the Lévy Gorvy gallery in New York. The exhibition features nearly one hundred artworks by twenty-seven artists, including Lee Bontecou, Bruce Conner, Joseph Cornell, Eva Hesse, Jasper Johns, Robert Ryman, Cy Twombly and Hannah Wilke. Documenting masterpieces that are rarely on public display, the publication offers a unique perspective on viewership and collecting. An essay by Suzanne Hudson examines works by Johns, Ryman and Twombly, while Sarah K. Rich considers the use of hallucinogens to break down boundaries within the self. A new translation of an excerpt from Henri Michaux’s Infinite Turbulence offers a window into the mind of an artist on mescaline. Miranda Mellis’ work of short fiction “The Emissaries” conjures a dystopian narrative that beautifully responds to works by Bellmer, Conner, Dubuffet and Rama, and Pablo Neruda’s poem “Ode to Things” accompanies reproductions of works by Cornell.
Lucas Samaras, "Box #131" (1989) is reproduced from 'Intimate Infinite.'
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Hbk, 9.25 x 11.5 in. / 264 pgs / 156 color / 25 b&w. LIST PRICE: U.S. $95.00 LIST PRICE: CANADA $132 GBP £85.00 ISBN: 9781944379254 PUBLISHER: Lévy Gorvy AVAILABLE: 2/19/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: WORLD
Published by Lévy Gorvy. Text by Suzanne Hudson, Sarah K. Rich, Henri Michaux, Miranda Mellis. Interview with Brett Gorvy by Rachel Wolff. Poetry by Pablo Neruda.
This fully illustrated catalog accompanies the first exhibition curated by Brett Gorvy for the Lévy Gorvy gallery in New York. The exhibition features nearly one hundred artworks by twenty-seven artists, including Lee Bontecou, Bruce Conner, Joseph Cornell, Eva Hesse, Jasper Johns, Robert Ryman, Cy Twombly and Hannah Wilke. Documenting masterpieces that are rarely on public display, the publication offers a unique perspective on viewership and collecting. An essay by Suzanne Hudson examines works by Johns, Ryman and Twombly, while Sarah K. Rich considers the use of hallucinogens to break down boundaries within the self. A new translation of an excerpt from Henri Michaux’s Infinite Turbulence offers a window into the mind of an artist on mescaline. Miranda Mellis’ work of short fiction “The Emissaries” conjures a dystopian narrative that beautifully responds to works by Bellmer, Conner, Dubuffet and Rama, and Pablo Neruda’s poem “Ode to Things” accompanies reproductions of works by Cornell.
