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| | | | NEW MUSEUMCally Spooner: On False Tears and OutsourcingEdited with text by Helga Christoffersen. Contribution by Dan Graham. Interview by Hendrik Folkerts.
 The live performances of British artist Cally Spooner (born 1983) consider the ways in which labor and communication make demands on our bodies. Spooner engages actors, vocalists, dancers and musicians who collectively interrogate gesture and language. The artist’s 2016 exhibition at the New Museum, Cally Spooner: On False Tears and Outsourcing, marks an important shift in her live performances, extending their duration to the length of a museum exhibition. The choreography is structured according to the logic of corporate development meetings, and appropriates gestures from both romantic movies and competitive contact sports. This catalogue contains an essay by Helga Christoffersen, an interview between Spooner and Documenta 14 curator Hendrik Folkerts, and a contribution by artist Dan Graham.
Featured image is reproduced from 'Cally Spooner: On False Tears and Outsourcing.' |
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| | | |  | HATJE CANTZISBN: 9783775746816
USD $50.00 | CAN $69.95Pub Date: 6/16/2020
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|  | NEW MUSEUMISBN: 9781942607342
USD $22.00 | CAN $30.5 UK £ 20Pub Date: 7/26/2016
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FORMAT: Pbk, 7.25 x 9.5 in. / 136 pgs / 76 color / 60 b&w.
LIST PRICE: U.S. $22.00
LIST PRICE: CANADA $30.5
GBP £20.00
ISBN: 9781942607342
PUBLISHER: New Museum
AVAILABLE: 7/26/2016
DISTRIBUTION: D.A.P.
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| Cally Spooner: On False Tears and Outsourcing Published by New Museum.
Edited with text by Helga Christoffersen. Contribution by Dan Graham. Interview by Hendrik Folkerts. The live performances of British artist Cally Spooner (born 1983) consider the ways in which labor and communication make demands on our bodies. Spooner engages actors, vocalists, dancers and musicians who collectively interrogate gesture and language. The artist’s 2016 exhibition at the New Museum, Cally Spooner: On False Tears and Outsourcing, marks an important shift in her live performances, extending their duration to the length of a museum exhibition. The choreography is structured according to the logic of corporate development meetings, and appropriates gestures from both romantic movies and competitive contact sports. This catalogue contains an essay by Helga Christoffersen, an interview between Spooner and Documenta 14 curator Hendrik Folkerts, and a contribution by artist Dan Graham.
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