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KARMA, NEW YORK
Ari Marcopoulos: Fumes
Photographer Ari Marcopoulos' newest publication takes an in-depth look into the studio process of American artist and filmmaker Matthew Barney. Shot over four years, Fumes depicts the activity within Barney's Long Island City studio from 2011 to 2014. Marcopoulos documented the day-to-day activity in the workspace, from the digging of an Egyptian death chamber to the flooding during Hurricane Irene, to the ongoing preparation for Barney's 2014 film epic River of Fundament: "I got sucked into taking photographs of the people working on the various projects, more and more it felt almost like a performance." The publication is comprised of black-and-white and full-color spreads showing workers transporting, molding and fusing toxic materials, interwoven with an array of intricate pictorial montages, mirroring those of a negative. Marcopoulos captures the human figure at work, in motion, pursuing life in its most ordinary moments in order to create something extraordinary.
Featured image is a spread reproduced from Ari Marcopoulos: Fumes.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
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FORMAT: Pbk, 8 x 12 in. / 420 pgs / 400 color / 400 b&w. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $67.5 GBP £45.00 ISBN: 9781942607014 PUBLISHER: Karma, New York AVAILABLE: 9/29/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: WORLD
Photographer Ari Marcopoulos' newest publication takes an in-depth look into the studio process of American artist and filmmaker Matthew Barney. Shot over four years, Fumes depicts the activity within Barney's Long Island City studio from 2011 to 2014. Marcopoulos documented the day-to-day activity in the workspace, from the digging of an Egyptian death chamber to the flooding during Hurricane Irene, to the ongoing preparation for Barney's 2014 film epic River of Fundament: "I got sucked into taking photographs of the people working on the various projects, more and more it felt almost like a performance." The publication is comprised of black-and-white and full-color spreads showing workers transporting, molding and fusing toxic materials, interwoven with an array of intricate pictorial montages, mirroring those of a negative. Marcopoulos captures the human figure at work, in motion, pursuing life in its most ordinary moments in order to create something extraordinary.
