| | | | Firelei Báez: to breathe full and freeEdited by David Norr. Text by Carla Acevedo-Yates, Mark Godfrey, Legacy Russell. Interviews by Thelma Golden and Eva Respini.
 A decade of colorful, immersive and gorgeously crafted paintings and installations from the acclaimed artistThis is the first monograph to collect the complete works to date of New York–based multimedia artist Firelei Báez (born 1981), fully illustrated with images of her immersive installations, sculptural commissions, paintings and more than 150 works on paper. Major new texts explore the artist’s biography, symbolism and the historical foundations of her works, from curator Mark Godfrey, MCA Chicago curator Carla Acevedo-Yates, ICA Boston curator Eva Respini and an in-depth conversation with Studio Museum Director Thelma Golden.
Bringing together more than 10 years of exhibitions and installations, from her acclaimed 2016 exhibition at the Perez Art Museum Miami to her 2021 commission for the ICA Boston, Firelei Báez: to breathe full and free is a landmark presentation of the work of this exciting emerging artist.
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| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 12/15/2022 Collecting a decade's worth of paintings, sculptural commissions, immersive installations and more than 150 works on paper, plus scholarly essays and interviews by some of the top curators and art historians of our time—including Carla Acevedo-Yates, Mark Godfrey, Legacy Russell, Thelma Golden and Eva Respini—to breathe full and free is the first major monograph on the rising NYC-based multi-media artist Firelei Báez. In her interview with the artist, Golden asks Báez how she navigates daily life. Báez responds: "Mostly just with curiosity. Knowing that I don't know certain kinds of things has been the main anchor. So, starting with a presumption that I am not the center and that I don't know, how do I then make sense of that? How do I navigate in a way that puts me in flow with the world around me? If there's a power structure that I can see is hurting someone, not leaning into it but questioning it and then being able to take it apart. I remember, in kindergarten, I was a kid who would get in the way of the bully and get beat up, because I could see that it didn't feel right to just stand by. At the time, I didn't really understand why, but now, looking back, it was my sense of awareness, and constantly wanting to shift the things around me. And a deep empathy. I grew up surrounded by very strong women who were not necessarily saints or heroes, but their strength came in a very nuanced way." Featured image is "Towards an unseen force" (2019) installed in A Drexcyen chronocommons (To win the war you fought it sideways) at James Cohan Gallery (2019). continue to blog | ART BOOKS & MUSEUM EXHIBITION CATALOGS: FORTHCOMING AND RECENT RELEASES |  | HAUSER & WIRTH PUBLISHERSISBN: 9783906915722
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