CONTEMPORARY ART MOVEMENTS

PUBLISHER
Walker Art Center

BOOK FORMAT
Paperback, 7.5 x 10 in. / 244 pgs / 150 color / 50 bw.

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Catalog: SPRING 2017 p. 101   

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ISBN 9781935963158 TRADE
List Price: $45.00 CDN $60.00 GBP £40.00

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WALKER ART CENTER

Question the Wall Itself

Edited with text by Fionn Meade. Foreword by Olga Viso. Text by Jordan Carter, Adrienne Edwards, Isla Leaver-Yap, Robert Wiesenberger.

Rosemarie Trockel, "As far as possible" (2012) is reproduced from 'Question the Wall Itself.'Question the Wall Itself examines ways that interior spaces and décor can be fundamental to the understanding of cultural identity. It showcases 23 international artists who explore the political and social dimensions of interior architecture as well as its complicated relationship to history and their own backgrounds. The featured artists are Jonathas de Andrade, Uri Aran, Nina Beier, Marcel Broodthaers, Tom Burr, Alejandro Cesarco, Marc Camille Chaimowicz, Theaster Gates, Ull Hohn, Janette Laverrière, Louise Lawler, Nick Mauss, Park McArthur, Lucy McKenzie, Shahryar Nashat, Walid Raad, Seth Siegelaub, Paul Sietsema, Florine Stettheimer, Rosemarie Trockel, Cerith Wyn Evans, Danh Vo and Akram Zaatari.

The book and the exhibition it accompanies take as its guiding principle what Marcel Broodthaers termed “esprit décor”: a critique of ideas of nationality, globalization and the space of the institution through constructed interior scenes. Recasting our conception of interior space and design, the featured works exist between art, prop, and set or stage. Espousing this mise-en-scène approach, Question the Wall Itself plugs readers into material that expands the show in the form of book-as-exhibition. It includes an extensive photographic walk-through of the installations, and essays by Jordan Carter, Adrienne Edwards, Isla Leaver-Yap, Fionn Meade, and Robert Wiesenberger, as well as contributions from participating artists.

Rosemarie Trockel, "As far as possible" (2012) is reproduced from 'Question the Wall Itself.'

Question the Wall Itself

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