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Fine Arts Museums of San Francisco-Legion of Honor/Jordan Schnitzer FamilyBOOK FORMAT
Clth, 10 x 12 in. / 160 pgs / 140 color. PUBLISHING STATUS
Pub Date 4/30/2010
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Catalog: SPRING 2010 p. 91 PRODUCT DETAILS
ISBN 9781935202103 TRADE
List Price: $59.95 CDN $79.00 GBP £52.99 AVAILABILITY
Out of stock | | BROWSE THE 2020 SPRING CATALOG  Preview our Spring 2020 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | FINE ARTS MUSEUMS OF SAN FRANCISCO-LEGION OF HONOR/JORDAN SCHNITZER FAMILYJohn Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer and his Family FoundationText by Hunter Drohojowska-Philip.
Conceptual art veteran John Baldessari (born 1931) began making prints in the mid-1970s, and has placed printmaking at the center of his appropriative practice, in which found photographs of people are amended with colorful dots that blot out the heads of the subjects, redirecting the viewer's attention towards marginal detail. “In my work,” he says, “I found that I could be the master of my own universe and control what people see and pay attention to.” For Baldessari, keen as he is to minimize or erase his own manual presence, printmaking also helps to flatten out these collaged additions and interventions, heightening their sense of estrangement and beguiling anonymity. Many of Baldessari's prints series have been extremely influential, such as the 1970s Raw Prints series, for which he amended photos of Santa Monica mallgoers with abstracted shapes printed above the images that replicate details from them; this series was pivotal in democratizing photo-based prints in the art world. Since then, Baldessari has gone on to collaborate with some of the world's great printmakers, such as Brooke Alexander, Gemini G.E.L., Cirrus Editions, Edition Jacob Samuel, Mixographia and Crown Point Press. An essential volume in any contemporary art library, this first full survey of Baldessari's four-decade printmaking career is the definitive volume on the prints, and boasts 140 color plates alongside testimonies from his printmaking collaborators.
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| |  | Edited by Cristina Bechtler, David Campany. Text by John Baldessari, David Campany, Amy Cappellazzo, Jessica Morgan, Naomi Shohan.JRP|RINGIERISBN: 9783037642528
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FORMAT: Clth, 10 x 12 in. / 160 pgs / 140 color.
LIST PRICE: U.S. $59.95
LIST PRICE: CANADA $79
GBP £52.99
ISBN: 9781935202103
PUBLISHER: Fine Arts Museums of San Francisco-Legion of Honor/Jordan Schnitzer Family
AVAILABLE: 4/30/2010
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| John Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer and his Family Foundation Published by Fine Arts Museums of San Francisco-Legion of Honor/Jordan Schnitzer Family.
Text by Hunter Drohojowska-Philip. | Conceptual art veteran John Baldessari (born 1931) began making prints in the mid-1970s, and has placed printmaking at the center of his appropriative practice, in which found photographs of people are amended with colorful dots that blot out the heads of the subjects, redirecting the viewer's attention towards marginal detail. “In my work,” he says, “I found that I could be the master of my own universe and control what people see and pay attention to.” For Baldessari, keen as he is to minimize or erase his own manual presence, printmaking also helps to flatten out these collaged additions and interventions, heightening their sense of estrangement and beguiling anonymity. Many of Baldessari's prints series have been extremely influential, such as the 1970s Raw Prints series, for which he amended photos of Santa Monica mallgoers with abstracted shapes printed above the images that replicate details from them; this series was pivotal in democratizing photo-based prints in the art world. Since then, Baldessari has gone on to collaborate with some of the world's great printmakers, such as Brooke Alexander, Gemini G.E.L., Cirrus Editions, Edition Jacob Samuel, Mixographia and Crown Point Press. An essential volume in any contemporary art library, this first full survey of Baldessari's four-decade printmaking career is the definitive volume on the prints, and boasts 140 color plates alongside testimonies from his printmaking collaborators.
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