| | PUBLISHER Fine Arts Museums of San Francisco-Legion of Honor/Jordan Schnitzer FamilyBOOK FORMAT Clth, 10 x 12 in. / 160 pgs / 140 color. PUBLISHING STATUS Pub Date 4/30/2010 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2010 p. 91 PRODUCT DETAILS ISBN 9781935202103 TRADE List Price: $59.95 CDN $79.00 GBP £52.99 AVAILABILITY Out of stock | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | FINE ARTS MUSEUMS OF SAN FRANCISCO-LEGION OF HONOR/JORDAN SCHNITZER FAMILYJohn Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer and his Family FoundationText by Hunter Drohojowska-Philip.
Conceptual art veteran John Baldessari (born 1931) began making prints in the mid-1970s, and has placed printmaking at the center of his appropriative practice, in which found photographs of people are amended with colorful dots that blot out the heads of the subjects, redirecting the viewer's attention towards marginal detail. “In my work,” he says, “I found that I could be the master of my own universe and control what people see and pay attention to.” For Baldessari, keen as he is to minimize or erase his own manual presence, printmaking also helps to flatten out these collaged additions and interventions, heightening their sense of estrangement and beguiling anonymity. Many of Baldessari's prints series have been extremely influential, such as the 1970s Raw Prints series, for which he amended photos of Santa Monica mallgoers with abstracted shapes printed above the images that replicate details from them; this series was pivotal in democratizing photo-based prints in the art world. Since then, Baldessari has gone on to collaborate with some of the world's great printmakers, such as Brooke Alexander, Gemini G.E.L., Cirrus Editions, Edition Jacob Samuel, Mixographia and Crown Point Press. An essential volume in any contemporary art library, this first full survey of Baldessari's four-decade printmaking career is the definitive volume on the prints, and boasts 140 color plates alongside testimonies from his printmaking collaborators.
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
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| |  | Edited with text by Matilda Olof-Ors. Text by John Baldessari, Ann-Sofi Noring, Gitte Řrskou.WALTHER KöNIG, KöLNISBN: 9783960987956 USD $39.95 | CAN $55.95Pub Date: 8/18/2020 Active | In stock
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|  | Text by Hunter Drohojowska-Philip.FINE ARTS MUSEUMS OF SAN FRANCISCO-LEGION OF HONOR/JORDAN SCHNITZER FAMILYISBN: 9781935202103 USD $59.95 | CAN $79 UK £ 52.99Pub Date: 4/30/2010 Active | Out of stock
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FORMAT: Clth, 10 x 12 in. / 160 pgs / 140 color. LIST PRICE: U.S. $59.95 LIST PRICE: CANADA $79 GBP £52.99 ISBN: 9781935202103 PUBLISHER: Fine Arts Museums of San Francisco-Legion of Honor/Jordan Schnitzer Family AVAILABLE: 4/30/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2010 Page 91 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| John Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer and his Family Foundation Published by Fine Arts Museums of San Francisco-Legion of Honor/Jordan Schnitzer Family. Text by Hunter Drohojowska-Philip. | Conceptual art veteran John Baldessari (born 1931) began making prints in the mid-1970s, and has placed printmaking at the center of his appropriative practice, in which found photographs of people are amended with colorful dots that blot out the heads of the subjects, redirecting the viewer's attention towards marginal detail. “In my work,” he says, “I found that I could be the master of my own universe and control what people see and pay attention to.” For Baldessari, keen as he is to minimize or erase his own manual presence, printmaking also helps to flatten out these collaged additions and interventions, heightening their sense of estrangement and beguiling anonymity. Many of Baldessari's prints series have been extremely influential, such as the 1970s Raw Prints series, for which he amended photos of Santa Monica mallgoers with abstracted shapes printed above the images that replicate details from them; this series was pivotal in democratizing photo-based prints in the art world. Since then, Baldessari has gone on to collaborate with some of the world's great printmakers, such as Brooke Alexander, Gemini G.E.L., Cirrus Editions, Edition Jacob Samuel, Mixographia and Crown Point Press. An essential volume in any contemporary art library, this first full survey of Baldessari's four-decade printmaking career is the definitive volume on the prints, and boasts 140 color plates alongside testimonies from his printmaking collaborators.
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