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| |   |   | John Carter: On PaperText by Stephen Bann.
 Best known for his “wall objects,” British artist John Carter (born 1942) has made some of the most beautiful and lucid artworks of the last 50 years. The apparent simplicity and directness of his abstract reliefs belie an ambiguity that extends even to their definition, as Carter seeks subtly to reimagine the relationship between sculpture and painting. Carter’s shallow sculptures are based on abstract mathematical formulae; he begins each work with notebook sketches, moving on to larger, measured drawings.
It is these drawings, taken from throughout Carter’s career, that this book presents. Each drawing is a fascinating model of color abstraction, with commentary by the artist. Carter’s drawings reveal the originality of his mind and the love of exactitude and clarity that drives his practice. The eminent art historian Stephen Bann describes his singular contribution to the postwar flowering of British abstraction.
Featured image is reproduced from 'John Carter: On Paper.' |
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| | | |  | ROYAL ACADEMY OF ARTSISBN: 9781912520206 USD $45.00 | CAN $62Pub Date: 7/23/2019 Active | In stock
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FORMAT: Hbk, 9.75 x 11.25 in. / 160 pgs / 110 color. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $62 ISBN: 9781912520206 PUBLISHER: Royal Academy of Arts AVAILABLE: 7/23/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2019 Page 153 | PRESS INQUIRIES
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| John Carter: On Paper Published by Royal Academy of Arts. Text by Stephen Bann. Best known for his “wall objects,” British artist John Carter (born 1942) has made some of the most beautiful and lucid artworks of the last 50 years. The apparent simplicity and directness of his abstract reliefs belie an ambiguity that extends even to their definition, as Carter seeks subtly to reimagine the relationship between sculpture and painting. Carter’s shallow sculptures are based on abstract mathematical formulae; he begins each work with notebook sketches, moving on to larger, measured drawings.
It is these drawings, taken from throughout Carter’s career, that this book presents. Each drawing is a fascinating model of color abstraction, with commentary by the artist. Carter’s drawings reveal the originality of his mind and the love of exactitude and clarity that drives his practice. The eminent art historian Stephen Bann describes his singular contribution to the postwar flowering of British abstraction.
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