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Clth, 8.5 x 10.38 in. / 96 pgs / illustrated throughout. PUBLISHING STATUS
Pub Date 5/17/2017
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| | | Sea Music: Anthony CaroEdited by Stephen Feeke.
In 1991, when Anthony Caro’s Sea Music was officially launched by Lord Palumbo, completion of Antony Gormley’s Angel of the North was seven years away. Sea Music may be seen as a forerunner of this and other iconic public sculptural projects. But only thanks to the extraordinary generosity and determination of a group of committed individuals and organisations did this major site-specific work by one of the greatest sculptors of the late twentieth century find its way onto the quayside in the town of Poole.
The fascinating story of how this happened is told here in Alastair Sooke’s illuminating essay, and recalled by Caro himself in a previously unpublished note written in 1991. The reason for publishing this book now is that, after over 25 years of standing up to Poole’s harsh maritime climate, Sea Music has been conserved and repainted and is being justly celebrated through a programme of art and heritage activities.
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| | | |  | Edited by Stephen Feeke.RIDINGHOUSEISBN: 9781909932371
USD $29.95 | CAN $45Pub Date: 5/17/2017
Active | In stock
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|  | Foreword by Lucy Mitchell-Innes. Text by Julius Bryant.MITCHELL-INNES & NASHISBN: 9780988618893
USD $40.00 | CAN $54 UK £ 35Pub Date: 1/23/2018
Active | In stock
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FORMAT: Clth, 8.5 x 10.38 in. / 96 pgs / illustrated throughout.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $45
ISBN: 9781909932371
PUBLISHER: Ridinghouse
AVAILABLE: 5/17/2017
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Sea Music: Anthony Caro Published by Ridinghouse.
Edited by Stephen Feeke. | In 1991, when Anthony Caro’s Sea Music was officially launched by Lord Palumbo, completion of Antony Gormley’s Angel of the North was seven years away. Sea Music may be seen as a forerunner of this and other iconic public sculptural projects. But only thanks to the extraordinary generosity and determination of a group of committed individuals and organisations did this major site-specific work by one of the greatest sculptors of the late twentieth century find its way onto the quayside in the town of Poole.
The fascinating story of how this happened is told here in Alastair Sooke’s illuminating essay, and recalled by Caro himself in a previously unpublished note written in 1991. The reason for publishing this book now is that, after over 25 years of standing up to Poole’s harsh maritime climate, Sea Music has been conserved and repainted and is being justly celebrated through a programme of art and heritage activities.
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