Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Considering the dynamics of form, pattern and colour, Tess Jaray’s public art transforms its architectural surroundings with sequences of interlocking geometric shapes. For over three decades, Jaray’s abstract painting has been complimented by a series of art projects that extends her investigation of space and perspective to the public sphere. Working primarily with materials such as brick, stone and metal, the forms of Jaray’s public squares are often held in an equilibrium of movement and stillness. Drawing together ten of the artist’s important public commissions, the volume includes an essay by Charles Darwent that situates Jaray’s projects within the tradition of twentieth-century public art, an interview with the artist by Doro Globus, as well as historic statements by Richard Cork and Glyn Emrys, among others.
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FORMAT: Pbk, 7.63 x 9.13 in. / 96 pgs / 67 color. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.95 ISBN: 9781909932258 PUBLISHER: Ridinghouse AVAILABLE: 5/1/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Considering the dynamics of form, pattern and colour, Tess Jaray’s public art transforms its architectural surroundings with sequences of interlocking geometric shapes.
For over three decades, Jaray’s abstract painting has been complimented by a series of art projects that extends her investigation of space and perspective to the public sphere. Working primarily with materials such as brick, stone and metal, the forms of Jaray’s public squares are often held in an equilibrium of movement and stillness.
Drawing together ten of the artist’s important public commissions, the volume includes an essay by Charles Darwent that situates Jaray’s projects within the tradition of twentieth-century public art, an interview with the artist by Doro Globus, as well as historic statements by Richard Cork and Glyn Emrys, among others.
