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WHITE CUBE
Christian Marclay: Liquids
Edited by Honey Luard. Text by Tom Morton.
The recent paintings of Christian Marclay (born 1955) take as their point of departure wet sounds suggestive of the action of painting. These paintings, winkingly bridging Abstract Expressionism and Pop art, represent a continuation of the artist’s longstanding experimentation with the relationship between images and sounds. Christian Marclay: Liquids, published to accompany the artist’s solo exhibition at White Cube, includes these recent Onomatopoeia paintings, the recent films "Pub Crawl" (2014) and "Surround Sounds" (2014) and an installation of found glassware. Revered in the worlds of art and music for a body of work that bridges both camps, Marclay planned a lively program of collaborative musical performances led by the London Sinfonietta to accompany his exhibition and set up facilities for the on-site recording, pressing and screenprinting of vinyl records in the gallery, also documented in this volume.
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FORMAT: Hbk, 8.5 x 11.75 in. / 152 pgs / 226 color / 26 b&w. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $87 ISBN: 9781906072957 PUBLISHER: White Cube AVAILABLE: 2/23/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ ME
Published by White Cube. Edited by Honey Luard. Text by Tom Morton.
The recent paintings of Christian Marclay (born 1955) take as their point of departure wet sounds suggestive of the action of painting. These paintings, winkingly bridging Abstract Expressionism and Pop art, represent a continuation of the artist’s longstanding experimentation with the relationship between images and sounds. Christian Marclay: Liquids, published to accompany the artist’s solo exhibition at White Cube, includes these recent Onomatopoeia paintings, the recent films "Pub Crawl" (2014) and "Surround Sounds" (2014) and an installation of found glassware. Revered in the worlds of art and music for a body of work that bridges both camps, Marclay planned a lively program of collaborative musical performances led by the London Sinfonietta to accompany his exhibition and set up facilities for the on-site recording, pressing and screenprinting of vinyl records in the gallery, also documented in this volume.
