Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Examining the role of artists in the years following the Second World War, Fault Lines reveals the reconstruction of German artistic culture during a period of great upheaval. This volume offers an important and insightful account of art and artists in Germany in the wake of the Second World War, and of the reconstruction of German artistic culture in the early stages of the Cold War. Drawing on a broad range of archival and visual sources, Fault Lines examines the circumstances of destruction, defeat and division in the postwar decade, and the role played by artists during the first moments of reconstruction and occupation. Author John-Paul Stonard asks: How did artists respond to the destruction of Germany by Allied bombardment? What was the impact of Russian, American, French and British cultural policies during the military occupation? What were the connections between East and West?
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FORMAT: Pbk, 5 x 8 in. / 380 pgs / 50 b&w. LIST PRICE: U.S. $59.95 LIST PRICE: CANADA $75 ISBN: 9781905464029 PUBLISHER: Ridinghouse AVAILABLE: 9/3/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Examining the role of artists in the years following the Second World War, Fault Lines reveals the reconstruction of German artistic culture during a period of great upheaval.
This volume offers an important and insightful account of art and artists in Germany in the wake of the Second World War, and of the reconstruction of German artistic culture in the early stages of the Cold War. Drawing on a broad range of archival and visual sources, Fault Lines examines the circumstances of destruction, defeat and division in the postwar decade, and the role played by artists during the first moments of reconstruction and occupation.
Author John-Paul Stonard asks: How did artists respond to the destruction of Germany by Allied bombardment? What was the impact of Russian, American, French and British cultural policies during the military occupation? What were the connections between East and West?
