From 'The Birth of Venus' to art school classrooms across the globe, artists have, over time, employed life models in an attempt to capture the essence of the female nude. One such artist is Fiona Banner. As this book Performance Nude illustrates, Banner uses paint and line to portray her models; however, she renders them not in figurative gestures, but in words. Straying further from traditional methods, she specifically uses 'real' women rather than practiced life models as her subject, choosing to capture the strain and tension created in the room by the presence of a novice. Whatever discomfort is revealed in the relationship is tested further by introducing an audience to the room and filming the scene for up to an hour. The effect is at timespoetic, at others searching and critical. By portraying her nudes in this way, Banner questions the difference between looking and perceiving; the separation between experiencing something, and the language we use to describe it.
FORMAT: Hbk, 8.25 x 10.5 in. / 96 pgs / 70 color. LIST PRICE: U.S. $80.00 LIST PRICE: CANADA $107.5 GBP £69.00 ISBN: 9781904212461 PUBLISHER: Other Criteria Books AVAILABLE: 12/1/2009 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD
From 'The Birth of Venus' to art school classrooms across the globe, artists have, over time, employed life models in an attempt to capture the essence of the female nude. One such artist is Fiona Banner. As this book Performance Nude illustrates, Banner uses paint and line to portray her models; however, she renders them not in figurative gestures, but in words. Straying further from traditional methods, she specifically uses 'real' women rather than practiced life models as her subject, choosing to capture the strain and tension created in the room by the presence of a novice. Whatever discomfort is revealed in the relationship is tested further by introducing an audience to the room and filming the scene for up to an hour. The effect is at timespoetic, at others searching and critical. By portraying her nudes in this way, Banner questions the difference between looking and perceiving; the separation between experiencing something, and the language we use to describe it.
