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| |   |   | David Shrigley: Pass the SpoonA Sort-Of Opera About CookeryForeword by David Shrigley, David Fennessy, Nicholas Bone.
Pass the Spoon is the libretto for David Shrigley’s wildly popular “sort-of opera.” Here, Shrigley applies his mordant humor to this tale of a surreal cooking show gone awry. Described as “daft and instantly lovable” by The Guardian, Pass the Spoon features two TV chefs (June Spoon and Philip Fork), a manic-depressive alcoholic egg, a Latino banana and a host of other bizarre characters. This publication accompanies the artist’s first major retrospective at Yerba Buena Center in San Francisco, and the opera’s first performance in London.
Featured image is reproduced from David Shrigley: Pass the Spoon. |
|  | STATUS: Out of stock indefinitely. | |
| | | |  | DESTE FOUNDATION FOR CONTEMPORARY ARTISBN: 9786185039332 USD $29.95 | CAN $45Pub Date: 5/21/2019 Active | Out of stock
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|  | HAYWARD GALLERY PUBLISHINGISBN: 9781853322976 USD $40.00 | CAN $54Pub Date: 3/31/2012 Active | In stock
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FORMAT: Pbk, 4.25 x 7.25 in. / 96 pgs / 10 b&w. LIST PRICE: U.S. $12.50 LIST PRICE: CANADA $18 ISBN: 9781853323072 PUBLISHER: Hayward Gallery Publishing AVAILABLE: 5/31/2012 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA LA ME | D.A.P. CATALOG: FALL 2012 Page 117 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| David Shrigley: Pass the Spoon A Sort-Of Opera About Cookery Published by Hayward Gallery Publishing. Foreword by David Shrigley, David Fennessy, Nicholas Bone. Pass the Spoon is the libretto for David Shrigley’s wildly popular “sort-of opera.” Here, Shrigley applies his mordant humor to this tale of a surreal cooking show gone awry. Described as “daft and instantly lovable” by The Guardian, Pass the Spoon features two TV chefs (June Spoon and Philip Fork), a manic-depressive alcoholic egg, a Latino banana and a host of other bizarre characters. This publication accompanies the artist’s first major retrospective at Yerba Buena Center in San Francisco, and the opera’s first performance in London.
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