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| | | | A Question of Emphasis: Louise Fishman DrawingEdited with text by Amy L. Powell. Text by Jill H. Casid, Catherine Lord. Interview by Ulrike Müller.
 Surveying the American artist’s multimedia works on paper from 1964 to the presentAmerican artist Louise Fishman’s (born 1939) physical and process-driven work reimagines the Abstract Expressionist model into a vehicle for dialogue about history and emotion centered in the artist’s identities as Jewish, feminist and lesbian. Though she is primarily a painter, Fishman has worked with a number of different mediums to create works on paper since the early 1960s. A Question of Emphasis presents a vast selection of these works in a single volume, encompassing collage, oil and wax, thread, acrylic text, ink, charcoal, printmaking, oil stick, watercolor and tempera. Fishman conceives of her works on paper not as studies for later paintings but as discrete pieces of art, generally small- and medium-scale and frequently sculptural and tactile. New writing as well as an interview between Fishman and artist Ulrike Müller accompany a wide selection of works.
Featured image is reproduced from 'A Question of Emphasis: Louise Fishman Drawing'. |
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FORMAT: Hbk, 9 x 10 in. / 144 pgs / 170 color.
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| A Question of Emphasis: Louise Fishman Drawing Published by Krannert Art Museum.
Edited with text by Amy L. Powell. Text by Jill H. Casid, Catherine Lord. Interview by Ulrike Müller. Surveying the American artist’s multimedia works on paper from 1964 to the present American artist Louise Fishman’s (born 1939) physical and process-driven work reimagines the Abstract Expressionist model into a vehicle for dialogue about history and emotion centered in the artist’s identities as Jewish, feminist and lesbian. Though she is primarily a painter, Fishman has worked with a number of different mediums to create works on paper since the early 1960s. A Question of Emphasis presents a vast selection of these works in a single volume, encompassing collage, oil and wax, thread, acrylic text, ink, charcoal, printmaking, oil stick, watercolor and tempera. Fishman conceives of her works on paper not as studies for later paintings but as discrete pieces of art, generally small- and medium-scale and frequently sculptural and tactile. New writing as well as an interview between Fishman and artist Ulrike Müller accompany a wide selection of works.
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