Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
SKARSDEDT
Martin Kippenberger: Eggman II
Text by Alan Licht.
One of the most versatile and prolific artists of the postwar era, Martin Kippenberger (1953–1997) has been the subject of numerous major exhibitions since his premature death at the age of 44. The last exhibition in his lifetime took place at the Städtisches Museum Abteiberg, in Mönchengladbach, Germany, and was titled Der Eiermann und seine Ausleger (The Eggman and his Outriggers). This publication focuses on nine paintings, a group of drawings and one sculpture that formed the center of this final exhibit, all of which were made in the last three years of Kippenberger’s life. These works explore the motif of the egg--a key theme throughout the artist’s career, deployed to variously reference rebirth, reproduction and circularity, and also used as a comic device: in one self-portrait, Kippenberger depicts himself as an eggman whose torso has expanded well beyond its youthful contours.
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FORMAT: Hbk, 9.5 x 11.5 in. / 64 pgs / illustrated throughout. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $40 ISBN: 9781616237202 PUBLISHER: Skarsdedt AVAILABLE: 3/31/2012 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD
One of the most versatile and prolific artists of the postwar era, Martin Kippenberger (1953–1997) has been the subject of numerous major exhibitions since his premature death at the age of 44. The last exhibition in his lifetime took place at the Städtisches Museum Abteiberg, in Mönchengladbach, Germany, and was titled Der Eiermann und seine Ausleger (The Eggman and his Outriggers). This publication focuses on nine paintings, a group of drawings and one sculpture that formed the center of this final exhibit, all of which were made in the last three years of Kippenberger’s life. These works explore the motif of the egg--a key theme throughout the artist’s career, deployed to variously reference rebirth, reproduction and circularity, and also used as a comic device: in one self-portrait, Kippenberger depicts himself as an eggman whose torso has expanded well beyond its youthful contours.
