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| | | | SKARSDEDTMartin Kippenberger: Eggman IIText by Alan Licht.
One of the most versatile and prolific artists of the postwar era, Martin Kippenberger (1953–1997) has been the subject of numerous major exhibitions since his premature death at the age of 44. The last exhibition in his lifetime took place at the Städtisches Museum Abteiberg, in Mönchengladbach, Germany, and was titled Der Eiermann und seine Ausleger (The Eggman and his Outriggers). This publication focuses on nine paintings, a group of drawings and one sculpture that formed the center of this final exhibit, all of which were made in the last three years of Kippenberger’s life. These works explore the motif of the egg--a key theme throughout the artist’s career, deployed to variously reference rebirth, reproduction and circularity, and also used as a comic device: in one self-portrait, Kippenberger depicts himself as an eggman whose torso has expanded well beyond its youthful contours.
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FORMAT: Hbk, 9.5 x 11.5 in. / 64 pgs / illustrated throughout.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9781616237202
PUBLISHER: Skarsdedt
AVAILABLE: 3/31/2012
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2012 Page 82 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Martin Kippenberger: Eggman II Published by Skarsdedt.
Text by Alan Licht. One of the most versatile and prolific artists of the postwar era, Martin Kippenberger (1953–1997) has been the subject of numerous major exhibitions since his premature death at the age of 44. The last exhibition in his lifetime took place at the Städtisches Museum Abteiberg, in Mönchengladbach, Germany, and was titled Der Eiermann und seine Ausleger (The Eggman and his Outriggers). This publication focuses on nine paintings, a group of drawings and one sculpture that formed the center of this final exhibit, all of which were made in the last three years of Kippenberger’s life. These works explore the motif of the egg--a key theme throughout the artist’s career, deployed to variously reference rebirth, reproduction and circularity, and also used as a comic device: in one self-portrait, Kippenberger depicts himself as an eggman whose torso has expanded well beyond its youthful contours.
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