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| | PUBLISHER
The Chinati FoundationBOOK FORMAT
Hardcover, 6.5 x 9.5 in. / 200 pgs / 278 color / 8 bw. PUBLISHING STATUS
Pub Date 3/1/2008
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2008 p. 75 PRODUCT DETAILS
ISBN 9781604613704 TRADE
List Price: $35.00 CDN $40.00 AVAILABILITY
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| | | THE CHINATI FOUNDATIONJohn Chamberlain: The Foam SculpturesText by Klaus Kertess, Marianne Stockebrand, Iris Winkelmeyer.
Here is the flip side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group and an update to Chamberlain's catalogue raisonné of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
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|  | GUGGENHEIM MUSEUM PUBLICATIONSISBN: 9780892074259
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|  | WALTHER KöNIG, KöLNISBN: 9783883759227
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FORMAT: Hardcover, 6.5 x 9.5 in. / 200 pgs / 278 color / 8 b&w.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9781604613704
PUBLISHER: The Chinati Foundation
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2008 Page 75 | PRESS INQUIRIES
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| John Chamberlain: The Foam Sculptures Published by The Chinati Foundation.
Text by Klaus Kertess, Marianne Stockebrand, Iris Winkelmeyer. Here is the flip side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group and an update to Chamberlain's catalogue raisonné of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
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