Edited by Emily Wei Rales, Nora Severson Cafritz, Yuri Stone. Introduction by Emily Wei Rales. Text by Anna Lovatt, Charles Ray.
The third installment commemorating Charles Ray's rotating exhibitions at Glenstone
The diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artist’s work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Ray’s practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, Return to the one (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of Glenstone Museum.
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FORMAT: Hbk, 10 x 11.75 in. / 50 pgs / 20 color. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $49 GBP £30.00 ISBN: 9780999802984 PUBLISHER: Glenstone Museum AVAILABLE: 6/20/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by Glenstone Museum. Edited by Emily Wei Rales, Nora Severson Cafritz, Yuri Stone. Introduction by Emily Wei Rales. Text by Anna Lovatt, Charles Ray.
The third installment commemorating Charles Ray's rotating exhibitions at Glenstone
The diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artist’s work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Ray’s practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, Return to the one (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of Glenstone Museum.
