Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
DANCING FOXES PRESS/CAMH HOUSTON
Paul Ramírez Jonas: Atlas, Plural, Monumental
Text by Bill Arning, Dean Daderko, Claire Barliant, Shannon Jackson.
New York–based artist Paul Ramírez Jonas (born 1965) investigates how publics are constituted and convened through the exploration of public forms like the equestrian statue, the bronze plaque and the key to the city.
Published to accompany the artist’s first survey exhibition in the Americas, Atlas, Plural, Monumental is the most comprehensive publication on the artist’s work to date, including sculptures, photographs, videos, drawings, public actions and participatory works made from 1991 to 2016. It includes an introductory essay by CAMH Director Bill Arning, an essay by curator Dean Daderko, and commissioned essays by Claire Barliant and Shannon Jackson, as well as a checklist of works included in the exhibition and biographic and bibliographic information.
in stock $35.00
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FORMAT: Pbk, 7 x 9.25 in. / 160 pgs / 120 color. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $47.5 ISBN: 9780998632612 PUBLISHER: Dancing Foxes Press/CAMH Houston AVAILABLE: 11/21/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Published by Dancing Foxes Press/CAMH Houston. Text by Bill Arning, Dean Daderko, Claire Barliant, Shannon Jackson.
New York–based artist Paul Ramírez Jonas (born 1965) investigates how publics are constituted and convened through the exploration of public forms like the equestrian statue, the bronze plaque and the key to the city.
Published to accompany the artist’s first survey exhibition in the Americas, Atlas, Plural, Monumental is the most comprehensive publication on the artist’s work to date, including sculptures, photographs, videos, drawings, public actions and participatory works made from 1991 to 2016. It includes an introductory essay by CAMH Director Bill Arning, an essay by curator Dean Daderko, and commissioned essays by Claire Barliant and Shannon Jackson, as well as a checklist of works included in the exhibition and biographic and bibliographic information.
