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| | | | KIITO-SANUrs Fischer: Sculptures 2013–2018Edited by Priya Bhatnagar.
 Featuring over 100 works and documentation of forty exhibitions and installations both public and private, New York–based artist Urs Fischer (born 1973) presents six years of work in this substantial volume.
Arranged chronologically, this book allows the reader to follow Fischer's developments in form and his frequent adventure into whimsy. The artist's instinct for design is evident not only in his individual works but also in his clarity of vision for a space, beautifully illustrated in this volume.
Sculpture inherently has physical presence and Fischer utilizes this to manipulate the viewer's perception of reality. Encountering the immense and the minuscule, the ever-changing and the static, a viewer must reconcile with his or her own presence in time. With this volume, the reader is invited to experience significant ephemeral, collaborative and interactive works in context in over 400 pages plus gatefold inserts.
Featured image is reproduced from 'Urs Fischer: Sculptures 2013–2018.' |
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FORMAT: Hbk, 9.75 x 12.25 in. / 450 pgs / 358 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $85
GBP £53.00
ISBN: 9780996413046
PUBLISHER: Kiito-San
AVAILABLE: 5/21/2019
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
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| Urs Fischer: Sculptures 2013–2018 Published by Kiito-San.
Edited by Priya Bhatnagar. Featuring over 100 works and documentation of forty exhibitions and installations both public and private, New York–based artist Urs Fischer (born 1973) presents six years of work in this substantial volume.
Arranged chronologically, this book allows the reader to follow Fischer's developments in form and his frequent adventure into whimsy. The artist's instinct for design is evident not only in his individual works but also in his clarity of vision for a space, beautifully illustrated in this volume.
Sculpture inherently has physical presence and Fischer utilizes this to manipulate the viewer's perception of reality. Encountering the immense and the minuscule, the ever-changing and the static, a viewer must reconcile with his or her own presence in time. With this volume, the reader is invited to experience significant ephemeral, collaborative and interactive works in context in over 400 pages plus gatefold inserts.
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