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| | | | DAVID ALTMEJD STUDIODavid Altmejd: The Flux and the PuddleEdited by David Altmejd, Jason Kotara. Text by Anne Prentnieks.
Canadian sculptor David Altmejd (born 1974) presents his large-scale Plexiglass installation The Flux and the Puddle, a multilayered, structural environment in which werewolves, smashed mirrors and sculpted heads are strategically placed. "I think of the big Plexiglas box as a kind of stage or a laboratory space," Altmejd explained to a reviewer for Art in America. "The work is operatic. It's basically about the making of sculpture. Everything you see was made from inside the box. Ideas germinated from the inside. I let the work evolve and grow as much as possible. There's very little that's premeditated; it's not pre-designed." This publication documents the artist's knack for inventing disorienting and complex architectural arrangements.
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
| | | |  | DAVID ALTMEJD STUDIOISBN: 9780990662808
USD $80.00 | CAN $107.5 UK £ 71Pub Date: 6/23/2015
Active | Out of stock
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FORMAT: Hbk, 9.25 x 11.75 in. / 128 pgs / 122 color / 1 duotone.
LIST PRICE: U.S. $80.00
LIST PRICE: CANADA $107.5
GBP £71.00
ISBN: 9780990662808
PUBLISHER: David Altmejd Studio
AVAILABLE: 6/23/2015
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
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| David Altmejd: The Flux and the Puddle Published by David Altmejd Studio.
Edited by David Altmejd, Jason Kotara. Text by Anne Prentnieks. Canadian sculptor David Altmejd (born 1974) presents his large-scale Plexiglass installation The Flux and the Puddle, a multilayered, structural environment in which werewolves, smashed mirrors and sculpted heads are strategically placed. "I think of the big Plexiglas box as a kind of stage or a laboratory space," Altmejd explained to a reviewer for Art in America. "The work is operatic. It's basically about the making of sculpture. Everything you see was made from inside the box. Ideas germinated from the inside. I let the work evolve and grow as much as possible. There's very little that's premeditated; it's not pre-designed." This publication documents the artist's knack for inventing disorienting and complex architectural arrangements.
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