PUBLISHER
Corbett vs. Dempsey/David Nolan Gallery

BOOK FORMAT
Paperback, 7 x 9 in. / 100 pgs / 71 color.

PUBLISHING STATUS
Pub Date
Out of stock indefinitely

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2015 p. 135   

PRODUCT DETAILS
ISBN 9780983725831 TRADE
List Price: $28.00 CDN $38.50 GBP £25.00

AVAILABILITY
Not available

EXHIBITION SCHEDULE

New York
David Nolan Gallery, 12/10/11-01/21/12

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CORBETT VS. DEMPSEY/DAVID NOLAN GALLERY

Christina Ramberg: Corset Urns & Other Inventions

1968–1980

Text by John Corbett.

"Back to Back" (1973) is reproduced from <I>Christina Ramberg: Corset Urns & Other Inventions</I>Associated with the Chicago Imagist group of the late 1960s, Christina Ramberg (1946–1995) painted parts of women's bodies—bound torsos, hands, waists and hair—rendered in seductive, sleek surfaces, muted colors and solid plastic forms. Ramberg's immaculately produced paintings stand in stark contrast to the hundreds of drawings she made, compulsively exploring shape and form in every possible variation of whatever subject she chose. Corsets, girdles and bras were a particular obsession, for they not only served to shape the body to conform to an ideal, but they also symbolized the need to contain and heighten female sexuality. Including paintings and drawings made between 1968 and 1980, this volume traces her progress toward more androgynous and then increasingly nonhuman figures which hover somewhere between human and object.

"Back to Back" (1973) is reproduced from Christina Ramberg: Corset Urns & Other Inventions

Christina Ramberg: Corset Urns & Other Inventions

STATUS: Out of stock indefinitely.

FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 2/26/2015

Christina Ramberg: Corset Urns & Other Inventions

Christina Ramberg: Corset Urns & Other Inventions

"Proportion. Scale. Form. Palette. Surface. It is tempting to see the work of Christina Ramberg in formal terms, almost as if she were an abstract painter," John Corbett writes in the Introduction to Corset Urns & Other Inventions. "This is the case in no small part because of her inventiveness, the distance she was able to push an image in one of her delicate but forceful works, and the elasticity and pure plastic creativity of her paintings and drawings. She was expert at transforming rather everyday material into something unforeseen and wondrous. With this in mind, Ramberg could justifiably be considered a formalist. She held a special place in herself for the investigation of shape and volume; the subtle interplay of close tones in a given palette; the vibratory potential of contrasting patterns; the use of theme and variation in the deep exploration of form; and, perhaps paramount, the refinement of a painting’s surface.
Fetish. Kink. Fabric. Hair. Skin. The other side of Ramberg’s work emerges from her choice of topic and the way she mined it. For much of her tragically truncated career, which spanned less than 25 years (from 1967 to the late 1980s), she painted images of women’s bodies, hairdos, and underwear. With a curious rather than jaundiced eye, she considered the history of form in ladies’ fashion and hair dressing, studying anything and everything from canonical paintings to commercial shops. She arrived at a peculiar, highly personal vision of bondage and lingerie, imbued with a critical stance but unwilling to mount the soapbox. Indeed, one of the most engaging and complex aspects of her work is its ambivalent position on the potential erotic content of the images. Hers are feminist paintings in spirit, made at the same time that Hannah Weiner and Carolee Schneemann were creating their signal works. Ramberg’s works are not straightforward eroticism. However neither are Ramberg’s images simple indictments of patriarchal domination, despite an explicit thorniness to some of the works. The paintings and drawings occupy an uncomfortable space between these worlds—not political diatribes, not sensual come-ons, but some strange admixture of subversive and sexy, in varying proportions." continue to blog


CHRISTINA RAMBERG MONOGRAPHS + ARTIST'S BOOKS

The Making of Husbands: Christina Ramberg in Dialogue

THE MAKING OF HUSBANDS: CHRISTINA RAMBERG IN DIALOGUE

Edited with text by Anna Gritz. Text by Dodie Bellamy, Kathrin Bentele, Jen George, Larne Abse Gogarty, Judith Russi Kirshner, Léon Kruijswijk.

WALTHER KöNIG, KöLN

ISBN: 9783960986966
USD $40.00
| CAN $56

Pub Date: 1/21/2020
Active | In stock


Christina Ramberg: Corset Urns & Other Inventions

CHRISTINA RAMBERG: CORSET URNS & OTHER INVENTIONS

Text by John Corbett.

CORBETT VS. DEMPSEY/DAVID NOLAN GALLERY

ISBN: 9780983725831
USD $28.00
| CAN $38.5 UK £ 25

Pub Date: 2/24/2015
Out of stock indefinitely | Not available



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